Artist Directory

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Zeina Kara Ali

Artist

Zeina observes and accrues the pervasive details of her subjects that speak to her personally, integrating them with her own story to produce her own condensed interpretation of the beauty in what she sees. Zeina Kara-Ali – Biography Currently living in Sydney, Australia, artist Zeina Kara-Ali was born and raised in Lebanon. Kara-Ali’s work is intrinsically linked to her childhood, with memories of the architecture and culture of Lebanon informing her current body of work. The artist completed a BA of Biology before traveling and settling in Ghana, Africa for several years. Both the observant intricacy inherent to her formal education and the vivacity of her diverse experiences abroad are at the core of her art. Often veering towards the expressive, Kara-Ali has a penchant for still-life and landscape work. Her style is primarily graphical, with the artist deconstructing elements of her subjects by playing with light and pigment. Trained at the Sydney Art School predominantly in landscape and the technicality in painting, Kara-Ali is committed to the ongoing development of her craft and seeks to connect with her audience through her natural desire to notice and elicit beauty where it may not typically reside. The artist ran an Art studio in Ghana and worked openly as both student and teacher where she invited esteemed artists local to the region and students to come together and work reciprocally to improve their art. Kara-Ali states, “I always notice the little details and have been able to see the beauty in my surroundings. I have lived in several countries throughout my life, which has resulted in my deep appreciation for different cultures, that I aim to portray in my paintings.” Regarding her current direction, the artist continues, “Recently, my paintings have reflected my feelings of nostalgia towards my home country, Lebanon. And after my last visit there, I began to paint the beauty of Lebanese traditional houses including my childhood home. The Lebanese traditional houses are a world of sunshine and light, of colour both subtle and vivid, of authenticity and legacy. I carry them in my memory, and I attempt to bring them into reality through my paintings.” Among her achievements, the artist was a finalist in the Hunter Hill Art Exhibition 2022 and 2023 as well as the Fisher's Ghost Art Award 2023. She is also adept at decoupage as well as studio painting with acrylic on canvas. Kara-Ali organized charitable art workshops for women and orphans in Ghana and worked for non-profit organisations Zeina Kara-Ali – Biography Currently living in Sydney, Australia, artist Zeina Kara-Ali was born and raised in Lebanon. Kara-Ali’s work is intrinsically linked to her childhood, with memories of the architecture and culture of Lebanon informing her current body of work. The artist completed a BA of Biology before traveling and settling in Ghana, Africa for several years. Both the observant intricacy inherent to her formal education and the vivacity of her diverse experiences abroad are at the core of her art. Often veering towards the expressive, Kara-Ali has a penchant for still-life and landscape work. Her style is primarily graphical, with the artist deconstructing elements of her subjects by playing with light and pigment. Trained at the Sydney Art School predominantly in landscape and the technicality in painting, Kara-Ali is committed to the ongoing development of her craft and seeks to connect with her audience through her natural desire to notice and elicit beauty where it may not typically reside. The artist ran an Art studio in Ghana and worked openly as both student and teacher where she invited esteemed artists local to the region and students to come together and work reciprocally to improve their art. Kara-Ali states, “I always notice the little details and have been able to see the beauty in my surroundings. I have lived in several countries throughout my life, which has resulted in my deep appreciation for different cultures, that I aim to portray in my paintings.” Regarding her current direction, the artist continues, “Recently, my paintings have reflected my feelings of nostalgia towards my home country, Lebanon. And after my last visit there, I began to paint the beauty of Lebanese traditional houses including my childhood home. The Lebanese traditional houses are a world of sunshine and light, of colour both subtle and vivid, of authenticity and legacy. I carry them in my memory, and I attempt to bring them into reality through my paintings.” Among her achievements, the artist was a finalist in the Hunter Hill Art Exhibition 2022 and 2023 as well as the Fisher's Ghost Art Award 2023. She is also adept at decoupage as well as studio painting with acrylic on canvas. Kara-Ali organized charitable art workshops for women and orphans in Ghana and worked for non-profit organisations teaching art there. Currently Kara-Ali is working on her first solo show "Arches" at Hurstville Museum and Gallery in June 2024, which will be a collection of her body of work about the traditional houses of her home country, Lebanon. teaching art there. In June 2024, the artist held her first solo exhibition “Arches Memory” which was a collection of her body of work about the traditional houses of her home country, Lebanon.

Zeina Kara Ali

Anahita Amouzegar

Artist

Anahita Amouzegar is an Iranian-Australian visual artist, based in Melbourne, embarks on a personal journey into the realm of the abstract, where the tangible and intangible converge in a mesmerizing dance of color, form, and emotion. Through her art, she seeks to capture the essence of the human experience, delving into figurative abstraction to explore the depths of her inner world and the interplay between reality and imagination. With each deliberate stroke of the brush, she strives to convey the intricate tapestry of human emotions and the ever-shifting landscapes of the mind. The figures that emerge in her pieces are not mere representations of the physical, but rather conduits for the expression of feelings, memories, and dreams, often obscured, fragmented, or transformed to invite viewers to delve deeper into the layers of meaning. Guided by the rhythms of her inner thoughts and emotions, her artistic process is deeply intuitive, drawing inspiration from the beauty and chaos of the world around her, as well as moments of quiet introspection. Her work serves as a reflection of the ongoing dialogue between the conscious and subconscious, offering viewers an open-ended invitation to embark on their own interpretive journey. Through the interplay of vibrant hues, bold gestures, and subtle nuances, she aims to evoke contemplation, connection, and a renewed sense of wonder about the multifaceted tapestry of the human soul, believing in art's profound ability to transcend words and foster meaningful connections between individuals.

Anahita Amouzegar

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B. Balliro

Artist

B. Ballirò is a Melbourne-based artist whose instinct-led practice draws inspiration from life, travel, food, relationships, and the places she calls home. Known for her expressive use of colour and intuitive mark-making, she creates emotionally charged works that explore themes of identity, femininity, memory, and human connection. B. Ballirò is a Melbourne-based artist whose work draws inspiration from lived experience, travel, ritual, and the landscapes she inhabits. Exploring themes of identity, femininity, memory, and human connection, she creates expressive works that sit between abstraction and representation. Working across oil, acrylic, pastel, and mixed media, she has spent more than a decade developing a distinctive visual language characterised by intuitive mark-making, layered surfaces, and emotionally resonant colour. Guided by intuition rather than convention, Ballirò's work is driven by a belief that creative authority does not require pedigree or permission. Her paintings emerge through a process of experimentation, emotional observation, and embodied response, resulting in works that are simultaneously raw, playful, and deeply personal. Her practice has been shaped through immersive residencies and mentorship both locally and internationally, including periods in Italy and southern England. In 2024, she presented her debut solo exhibition, Lei Mangia, which sold out in full. In 2026, she followed with Practica at Brunswick Street Gallery, a body of work examining the relationship between emotional expression, ritual, and contemporary expectations of restraint. Underlying much of Ballirò's work is an exploration of identity, femininity, and inheritance. Once told that daughters do not matter because they do not carry the family name, she now signs her work prominently with her surname, reclaiming both her Italian heritage and a proud, defiant femininity. Whether abstract or figurative, her paintings seek to capture the contradictions of human experience: chaos and calm, vulnerability and strength, humour and heartbreak. Through layered surfaces, intuitive gestures, and emotionally charged colour palettes, Ballirò invites viewers to connect not only with the work itself, but with the feelings that sit beneath it.

B. Balliro

Lucy Bauld

Artist

Lucy Bauld is an abstract artist based in Launceston, Tasmania. Working primarily with acrylics on canvas, Lucy’s paintings explore dynamic movement and texture, influenced by her background in maritime engineering. Her studies in hydrodynamics play a significant role in the fluidity and energy that defines her work, as she captures the powerful forces of nature through abstract forms. As an artist, Lucy is driven by a desire to bring the essence of movement and colour to life on the canvas, creating works that invite the viewer to experience a sense of motion inspired from wild landscapes. Lucy creates abstract works that explore the dynamic relationships between movement, texture, and colour. Her medium of choice is acrylic paints on canvas, where she uses bold, bright colours and energetic strokes to convey a sense of movement through my paintings. Lucy builds up paint to create texture, which shifts shadows throughout the day as the light changes, creating a constantly evolving experience for the viewer. Drawing from her background as a maritime engineer, Lucy's understanding of hydrodynamics and weather systems deeply informs the fluidity and motion in her work. The ever-changing landscapes of Tasmania, particularly the mountainous terrain and patterns Lucy finds when bushwalking, are also a significant source of inspiration for her. These are reflected in the layers of Lucy's paintings, as she builds up many layers of paint to create a sense of motion and flow that invites the eye to move across the canvas. Lucy's intention is simple: I want my art to bring colour, vibrancy, and excitement into people’s homes. Through her work, she hopes to share a little piece of the energy and beauty that she sees in the world.

Lucy Bauld

Michael Black

Artist

Sydney-based artist Michael Black, known for his dynamic mixed-media murals, prints, and private commissions, draws inspiration from landscapes, people, and personal experiences to explore human stories, exhibiting widely and collaborating with architects and designers to bring his work into public and private spaces, all while aiming to inspire fulfillment and purpose in others. Michael Black is a Sydney-based artist, who creates original art. His murals, prints, and private commissions allow him to capture moments in time through a variety of mixed media techniques. Michael is inspired by discovered landscapes, encountered people, and personal experiences responding to subjects in a dynamic and expressive manner. Michael explores human experiences and how classic story models symbolically parallel in our own life. Utilizing mixed media painting and drawing Michael provides us with a variety of Abstract landscape scenes that create a visual story to illustrate a variety of scenarios played out on the world's stage. Having completed a BA in Fine Arts (Design) at UNSW & Design in Sydney, Australia, Michael has been featured in both solo and group exhibitions. He is passionate about Public art and has done a number of large scale public works. Michael creates in collaboration with architects, interior designers, stylists, property developers, retailers, and galleries, bringing his work into a variety of spaces. He places a strong emphasis on the viewer and experiments with everyday objects, spaces, people, and places, often altering the meaning and aesthetics of these forms. Through his practice, Michael aims to bring others into a greater sense of fulfilment and purpose in their own lives.

Michael Black

Caroline Borghetto

Artist

Caroline Borghetto is a contemporary abstract painter whose work explores tension, proximity and exchange through restrained forms and layered mark-making. Caroline Borghetto is a contemporary abstract artist based in Torquay, Victoria, working primarily in painting. Much of her work emerges from an ongoing interest in proximity and belonging—the experience of being connected to people, places and cultures while never fully occupying their centre. Through a restrained visual language of layered forms, gesture and spatial relationships, Caroline explores the tensions that exist between connection and separation, familiarity and distance. Working between considered structure and responsive mark-making, her paintings consider how meaning is formed through exchange, negotiation and the spaces that exist between individuals, communities and cultures. Materiality plays an important role in her practice. Working across clear-primed cotton canvas and Belgian linen, she allows the surface to remain visible beneath translucent layers of paint, graphite and pencil, creating works that balance restraint with emotional weight. Caroline has been exhibiting since 2022 and has undertaken artist residencies including the Neighbourhood Lab Residency at Platform Arts in Geelong. Her work has been shortlisted for the Omnia Art Prize and the Hue & Cry Art Prize, and was awarded First Prize in Art Inside the Box, Torquay. She currently works full-time from her studio within the Ashmore Arts artist community on Wadawurrung Country.

Caroline Borghetto

Ruby Bovill

Artist

Ruby Bovill is an emerging Artist and qualified Art Therapist based on the traditional lands of the Wurundjeri people in Melbourne / Naarm. Bovill's paintings are an abstraction of her environment and identity. Bovill uses painting as a tool to connect with her creative, her unconscious self and with nature. Bovill playfully explores foreground and background - creating illusions of landscapes extending deep within and beyond the edges of the canvas. Bovill's paintings embody a childlike and playful style that lead the viewer to imagine an other worldly place where stars dance and dragonflies are the size of birds. Growing up in Melbourne and regularly visiting the Great Ocean Road and Murray River, Bovill's childhood provided her with a connection to nature. Art Therapy transformed her art making practice resulting in work that makes internal discoveries, heals and contributes to her sense of self. Bovill's work provides viewers an opportunity to connect to nature themselves within the context of urban environments. Bovill would like to acknowledge the traditional and true owners of the land she lives and works on, the Wurundjeri Woi Wurrung people of the Kulin Nation. Bovill acknowledges that sovereignty was never ceded. Bovill pays respect to Wurundjeri Woi Wurrung ancestors, elders, and future leaders in the community. Bovill would also like to acknowledge the traditional owners of the land her work is inspired by across the colony of so called ‘Australia’. Whilst Bovill feels a connection to nature and explores this in relation to her personal journey – Bovill would like to make clear that the connection to Country for First Nations communities exceeds her own and is of far greater cultural significance. As a white settler this dichotomy has been a challenge for Bovill to overcome. Through a journey of self-acceptance and personal growth via Art Therapy - Bovill has been able to accept her own connection to nature alongside acknowledging First Nations communities’ connection to Country as two very different experiences existing simultaneously. Always was, always will be Aboriginal land.

Ruby Bovill

Boyco Boychev

Artist

Boyco Boychev is a contemporary painter exploring how history, science, and myth shape the way we see. Through figurative assemblage and diagrammatic composition, his work examines the afterlives of knowledge—how objects, images, and ideas are collected, repurposed, and made to speak again. Boyco Boychev is a self-taught artist based in Brisbane, Australia. Working primarily in oil, his practice merges classical figuration with visual systems borrowed from anatomy, astronomy, and archival illustration. His paintings evoke the feel of museum displays—layered, quiet, and inquisitive—where objects, bodies, and symbols are stripped of context and reassembled as poetic fragments. Drawing inspiration from cabinets of curiosity and the aesthetics of scientific diagrams, Boychev constructs images that feel both ancient and speculative, suggestive but unresolved. His work invites viewers into a space between the rational and the metaphysical, where history becomes theatre and observation becomes ritual. Though not formally trained, Boychev has developed his practice independently, outside academic frameworks—through collecting, observing, and refining a personal visual grammar. His background lies in a separate profession, managing complex systems and structures. Painting offers a necessary counterpart: a space where logic gives way to intuition, and where thought is made physical. This separation lends the work its urgency. It is not casual. It’s not produced on schedule. It insists on being made.

Boyco Boychev

Sophie Bray

Artist

Sophie Bray’s artworks evince feelings of immersion and the connectedness one senses by the sea. Her painting, drawing and analogue photography practice reflects upon the beauty and fragility of the natural environment. She explores the physicality of water, wind and salient currents, which create the shifting tides and atmospheres over the tense and captivating point between land, sea and sky. She enjoys exploring tensions in her work, which pull between: abstraction and representation, gestural marks and smooth blended surfaces, monochromatic palettes and vibrant coloured grounds. Born in Sydney (1986) Bray has lived and worked in Los Angeles as well as in Sydney. She completed a Bachelor of Fine Arts (HONS1) and Masters of Fine Arts at the University of New South Wales and was a recipient of the University of New South Wales Honours Scholarship, The Dean’s Award for Academic Excellence, The Australian Postgraduate Award (2008-2010), The Toyota Emerging Artist Encouragement Award and the William Fletcher Foundation Scholarship for drawing. Since 2004, she has held 6 solo exhibitions and has been included in 24 group exhibitions. Her work has been acquired by the Morton Bay Art Collection and the Moran Art Foundation. Bray’s work was published in a book of international contemporary artists, Super Modified: The Behance Book of Creative Work. She exhibited in Paris as part of the Paris Drawing festival at Galarie ALB, and has been a finalist in the Ravenswood Australian Art Prize, The 20000 Lethbridge Small Scale Art Award, The JADA, The Sunshine Coast Art Prize, The Hazelhurst Paper Awards, The Waverley Art Prize and The National Emerging Art Prize.

Sophie Bray

Martin Breeze

Artist

Martin Breeze is a Melbourne-based contemporary abstract artist whose work explores tension, structure, memory and emotional ambiguity through layered colour, gestural mark-making and fragmented architectural forms. Martin Breeze is a Melbourne-based contemporary abstract artist whose paintings explore tension, instability, memory and emotional ambiguity through an evolving visual language of architectural forms, fragmented symbols and gestural abstraction. Originally working professionally in music and performance, Breeze transitioned into visual art through an interest in improvisation, rhythm and the psychological space between control and collapse. His work is characterised by bold structural frameworks, layered surfaces and intuitive mark-making that balance intention with uncertainty. Recent paintings increasingly examine themes of containment, fragility, failed structures and the traces left behind by lived experience. Drawing on recurring motifs including vessel-like forms, flowers, architectural fragments and symbolic objects, his work invites multiple interpretations while resisting fixed narratives. Working primarily on large-scale canvas, Breeze has developed a substantial independent collector base throughout Australia and internationally. His paintings have been exhibited through commercial galleries and art fairs including Affordable Art Fair Melbourne and Affordable Art Fair Singapore. At the centre of his practice is a fascination with uncertainty itself. Rather than illustrating ideas, Breeze uses painting as a process of discovery, allowing each work to reveal its own internal logic through constant revision, risk and response. He lives and works in Melbourne, Australia.

Martin Breeze

Renee Broders

Artist

Melbourne-based, multi-disciplinary artist Renee Broders is driven by a strong sense of play and experimentation. Graduating from Deakin University in 1998 with a major in painting and printmaking, Renee's work has evolved to juxtapose mass media with human individuality. Her use of vintage paper collage reveals a pattern of small-scale portraiture which is gradually manipulated to create a multi-layered and deeply personal body of paintings. National representation and exhibitions with Studio Gallery Group and Brunswick Street Gallery have provided Renee with a platform to engage viewers and challenge their perception of anonymity in abstract portraiture. Melbourne-based, multi-disciplinary artist Renee Broders graduated from Deakin University in 1998, with a major in painting and printmaking. Driven by a strong sense of play and experimentation, her work explores the ever-changing stories of her subjects and attempts to illustrate the complex relationships we have with our past and present selves. Whilst Renee primarily paints, she has found utilising collage, in both a digital and physical format, to be transformative when preparing for the painted image. Since her debut in the 1994 Victorian Top Arts program, Renee has exhibited nationally with Studio Gallery Group and Brunswick Street Gallery. She has also been a finalist in the Portia Geach Memorial Award, Sunshine Coast Art Prize, and Bowness Photography Prize, as well as a semi-finalist in the Doug Moran Portrait Prize.

Renee Broders

Sally Browne

Artist

Sally Browne (b. UK, based in Sydney) is an artist whose practice explores abstraction as a form of emotional landscape, shaped by memory, psychology, and colour. Drawing on a background in textile design and typography, Sally Browne's paintings play with letterforms, shadows, and semi-recognisable figures that hover between meaning and mystery. Influenced by the legacy of abstract expressionism, she embraces chance, imperfection, and the tactile qualities of paint to create works that feel intuitive and handmade in a digital world. Browne originally trained in textile design in the UK before relocating to Australia in 1994. For over 10 years she worked as an art director in branding, honing a design sensibility that continues to inform her awareness of form, rhythm, and composition. In 2015, Browne left the design industry to focus on her art practice full time, gaining commercial success as a watercolour artist with works licensed and collected internationally. After six years of building that career, she chose to step away from the commercial sphere to pursue painting as a deeper artistic enquiry. In 2021 she commenced a Bachelor of Fine Arts at the National Art School, Sydney, where she has focused exclusively on abstraction. Her paintings emerge through improvisation; beginning in chaos, shaped by gesture, gravity, and chance. Fragments hover at the edge of recognition before dissolving again, reflecting her interest in psychological states and the shifting ground of human experience. Her current body of work marks a new trajectory that moves beyond illustration and design, embracing the instability and possibility of contemporary abstraction.

Sally Browne

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Casey Charles

Artist

Landscapes, portraits, still lifes and street scenes are Casey's prefered subjects – all in vivid colors, influenced by Vincent van Gogh, with Casey's distinctive style that emanate joy. His work is inspired by the people, places and colors from his travels. Behind each works lies the feeling of an equally intriguing story. Casey Charles is a Queensland based, contemporary realist artist working with oils on canvas. His artwork hangs in numerous private art collections throughout Australia, including the main lobby of the Vogue-on-Broadbeach Luxury Apartments (Gold Coast), as well as public spaces including the Radium Institute at the Royal Brisbane and Women's Hospital. In 2025, he won People's Choice at the Sandgate Art Show, and Highly Commended at the RQAS Wild Creatures Exhibition. In 2024, he won first prize in the Sandgate Art Show and the Portrait Prize at the Nundah Art Festival, the People's Choice award at the Change Art Exhibition (Australian Artists Association )and the Royal Qld Art Society (RQAS) Annual, was a Finalist in the Clayton Utz Art Prize, the Rotary Art Show, and the Doyles for both landscape and still life painting, and Finalist and Highly Commended at the Australian Artists Awards (as judged by his peers). In 2023, he won both first prize and the people's choice award in the Qld Splash Exhibition, and people's choice award in the (RQAS) annual exhibition. In 2024 he has exhibited at the Kaye West Studios, Et AL Gallery, Petrie Terrace Gallery, the Loganlea Artspace, and the ChurnRoom, etc. The artist's work has been recognized with the highest award in numerous art exhibitions over the years, including the RQAS Annual Art Exhibition (on 4 occasions = 2006, 2007, 2008 and 2019), and the RNA (Royal National Association) Exhibition on 3 occasions. His various awards also include winning the RQAS Abstract Painting Award in 2021, and the RSPCA Wild Creatures Award in 2020. He has also been a finalist in the Percival Portrait Prize, the Lethbridge Small Scale Art Award and the Qld Figurative Art Prize. His initial training was at the Pir Tareen Art School in Brisbane. Landscapes, portraits, still life paintings and street scenes are Casey's preferred subjects – all in vivid colors, influenced by Vincent van Gogh, with Casey's distinctive style that emanate joy. His work is inspired by the people, places and colors from his travels. Behind each works lies the feeling of an equally intriguing story.

Casey Charles

Amy Compton

Artist

Amy Compton is an Australian artist based in Hobart. Her vibrant abstract floral pieces are created to spark joy and happiness in the viewers' lives. Working intuitively, Amy builds her paintings through multiple layers, skilfully incorporating acrylic paints, mixed media and thoughtfully selected collage elements. Amy’s artistic process embraces the dynamic interplay between shapes, colours, lines and textures, creating a visual conversation within each composition. Her signature colour palette—featuring harmonious combinations of pinks, blues and greens—evokes the natural beauty of her surroundings while maintaining a contemporary aesthetic appeal. Drawing inspiration from the breathtaking landscape of Tasmania, Amy works on both paper and canvas to capture the essence of her island home. Her abstract interpretations invite viewers to experience familiar environments through a fresh perspective, encouraging personal connection and emotional response. Amy Compton is an Australian artist based in Hobart. Her vibrant abstract floral pieces are created to spark joy and happiness in the viewers' lives. Working intuitively, Amy builds her paintings through multiple layers, skilfully incorporating acrylic paints, mixed media and thoughtfully selected collage elements. Amy’s artistic process embraces the dynamic interplay between shapes, colours, lines and textures, creating a visual conversation within each composition. Her signature colour palette—featuring harmonious combinations of pinks, blues and greens—evokes the natural beauty of her surroundings while maintaining a contemporary aesthetic appeal. Drawing inspiration from the breathtaking landscape of Tasmania, Amy works on both paper and canvas to capture the essence of her island home. Her abstract interpretations invite viewers to experience familiar environments through a fresh perspective, encouraging personal connection and emotional response.

Amy Compton

Brian Connolly

Artist

Brian Connolly's artworks are shaped by an intuitive, introspective diarist approach, inquiring into the human psyche. Centered around personal growth of the spiritual self, subjects of light and dark flow through his practice and embody a deep connection to the natural world. Brian Connolly is an artist based in Bundjalung (Byron Bay). Connolly’s works are characterised by etherealism and psychedelia which serve as vehicles to explore central themes of inner growth and transformation. His adoration for incorporating the teachings of nature is artfully intertwined into his multi-faceted paintings. In addition to canvas paintings, the artist has found interest in exploring various mediums including fashion, ceramics, furniture, and mural painting. His distinctive mural works, including those commissioned for the acclaimed hair and beauty salon Edwards & Co, can be spotted in numerous locations across Australia. These murals have garnered significant media attention and have led to the creation of over 30 murals throughout the country, with recent installations including the flagship Mecca cosmetics store in Sydney CBD. His artistic creations have also adorned an exclusive Ink Gin bottle, been commissioned by boutique hotels, restaurants, homeware stores, and private residences. Notably, he has collaborated with The Pullman Hotel Hyde Park in Sydney, overseeing a gallery space within their lobby. The artist has showcased his works in various group exhibitions, with representation from esteemed galleries like Purple Noon Gallery, Thom Gallery, and Forman Art. Most recently, Connolly had a successful solo exhibition at Maunsell Wickes Gallery in Paddington, Sydney. He has collectors both nationally and internationally.

Brian Connolly

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Darian Duan

Artist

Yijian (Darian) Duan (born 12 December 1974) is a Chinese contemporary artist whose practice includes oil painting, traditional ink painting, calligraphy, and painting on porcelain and Yixing clay. Previously taught art and design before focusing on independent artistic creation. In recent years, has been based in Melbourne, Australia, where he continues his artistic practice and exhibitions. Exhibitions in Mainland China • 2011 – In October, published “Collected Works of Yijian Duan’s Chinese Paintings” and held a launch ceremony. • 2011 – In November, curated and organized the large-scale exhibition "The First Reshaping Oriental Aesthetics "in Nanjing Province. • 2012 – In December, held "Resonant Brush and Ink: Contemporary Young Artists — Guobao Wu & Yijian Duan"calligraphy and painting joint exhibition at the Jiangsu Province State Art Museum • 2013 – In May, curated and organized the large-scale exhibition "The Second Reshaping Oriental Aesthetics” in the city of Nanjing and Shanghai.  • 2014 – Took part in the touring exhibition "The Third National Nine Cities Art Exhibition”which was held in Chengdu, Xi’an, Wu Han, Beijing,Jinan, and other cities. • 2014 – In December, held a large-scale solo exhibition "Perceive · Discern · Yijian — Chinese Paintings by Yijian Duan ”at the Yaming Art Museum in Hefei, Anhui Province. • 2017 – Participated in the “Contemporary Ink: Three-Person Joint Exhibition”at the Yan Huang Art Museum, Beijing. • 2021 – In January, participated in the “Yipeng Lin Teaching Achievements: Teacher-Student Joint Exhibition” at Nanjing Normal University Art Museum. • 2022 – In January, participated in the “Ever-Changing: Seven-Person Modern Ink Exhibition” in the city of Zhang Jiagang. Exhibitions in Other Regions • August 2025 – Participated in the 2025 Affordable Art Fair in Melbourne.

Darian Duan

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Sarah Ellis-Steinborner

Artist

Adelaide-based emerging artist Sarah Ellis-Steinborner is inspired by the impressionists and colourists of the past. She finds herself drawn to the beauty of nature and the emotion that she can convey through expressive brush and palette knife strokes. Sarah won the Craftsmanship award in the Art to Art Unearthed art prize, 2025, and has had two solo exhibitions. Sarah is a South Australian artist whose work is deeply influenced by dynamic natural landscapes. Using contemporary abstract impressionistic techniques in acrylics and oils, she creates vibrant, textured pieces that capture the raw energy and ever-changing moods of the Australian environment. Engaging in creative expression allows emotions to flow freely, bringing a sense of clarity and balance to her well-being. Each piece is guided by an emotional connection to the landscapes she depicts—whether it’s the intensity of a storm, the searing heat of the land, or the restless movement of the sea. These natural forces, constantly shifting and full of power, shape the depth and emotion within her work. A defining feature of her artistic practice is the use of bold, expressive palette knife strokes. This technique infuses each painting with rich texture and movement, allowing the energy of the natural world to be felt as much as seen. The tactile quality of the layered paint invites viewers to connect with the landscape on a deeper level. Through her art, Sarah strives to create an immersive experience—one that conveys the drama, beauty, and spirit of nature in a way that resonates both emotionally and visually.

Sarah Ellis-Steinborner

Kurt Engledow

Artist

Australian based international painter exploring themes of nostalgia, mortality, alienation, sexuality and masculinity through mid-century photographs. Kurt Engledow is an award winning Perth based artist. Although relatively disinterested in publicity, his work has been exhibited in London, UK and Perth, Australia. Kurt has been painting since he was a child. He would spend hours watching his father paint in his studio and was in awe of the detail he would include in his work. His father taught him how to draw and use oil paint when he was still very young. Kurt studied art and education at the University of London, UK during the early 2000s. However, he decided to pursue other paths up until 2020 when a change of circumstances led to the paints and brushes being dusted off and out to use. Kurt’s paintings have cinematic quality whilst incorporating elements of contemporary realism. Kurt’s paintings depict scenes from a perceived golden era, of people living everyday lives during the 1940s to 1960s. Kurt explores the subtleties of human emotional responses and captures people ‘caught in a moment’. These images invite the observer to question and explore the rich lives and stories captured on canvas and, in doing so, to reflect upon our own mortality. Kurt is influenced by a wide variety of artists including Alex Katz, Edward Hopper, Felix Vallotton and Richie Fahey. Like these artists, he prefers to use a limited colour palette with each colour and tone being carefully considered to create emotion and atmosphere whilst referencing mid- century design.

Kurt Engledow

Lauren Esplin

Artist

Acclaimed painter Lauren Esplin says she feels most herself with her feet sunk deeply into the sand, cool sea on her skin, and taste of salt on her lips. This evocative description lends itself to the stunning works she creates, the viewer instantly transported to the distinct beauty and raw-edged power of the Australian coastline. Beach Culture is deeply entrenched in human nature and Lauren’s contemporary paintings combine abstracted coastal landscapes featuring emotive markings with detailed figures that echo the familiar. This intriguing juxtaposition is a signature of the artist’s style, drawing the viewer effortlessly into the paintings, wrapping them in innate understanding. The merging of impressionist, abstract and figurative styles form a response to the landscape that connects deeply to the human psyche. Sandstone pinks, dove greys, verdigris, teal and turquoise form a soft background, while the colour of hot sun on sea-splashed skin finely realised in perfectly created human form is the active subject of each work. Slouched at the water’s edge, two women are in deep reverie; a couple run along the beach, hand in hand; a group hurls themselves into the cool ocean; while yet more fly from the clifftops, arms outstretched. Each work captures a joyous sense of freedom, the release a day at the beach promises. You can hear and smell the ocean, feel the sun on your skin, and imagine the first sizzling steps into the cool water. “There is a reason we flee to the sea for our weekends and holidays. It is a both a healing and contemplative environment and a joyful place, and it is this feeling I want to bring into our homes” Lauren explains. Lauren lives and works on Guringai country in Sydney’s Northern Beaches, and it was in a scout hall near Curl Curl Beach many years ago that she learnt her craft, painting with a group of female artists belonging to a local art collective. “Their diverse range of styles impressed upon me, and the nurturing atmosphere helped me through a difficult time in my life propelling me on this journey. I will never forget their impact”. She explains, too, that her creation process starts with just a moment in time: “It’s about the way the landscape makes me feel rather than the landscape itself. I look to capture the moment, not as it was, but as it was felt”. And this emotion is captured in the figures Lauren paints, their response to the environment a central theme in her work, the joy of human connection with the living world.

Lauren Esplin

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Kathryn Fenton

Artist

Kathryn is an expressive figurative/landscape artist with a history of exhibiting her work in Sydney, Brisbane and the Coffs Harbour Region for 30 years. Her work is otherworldly and influenced by the Baroque and Rococo periods and poetry. She is the recipient and finalist in a number of art prizes including EMSLA National Still Life and Hurford Portrait Prize and several regional awards. Born in Queensland, Kathryn holds a diploma in Visual Communication and Graphic Design at the Brisbane College of Art. It was here she also developed a keen interest in photography and film making and her short films gained her a scholarship at the Australian Film and Television School in 1980. She spent the next 15 years working in the film and television industry in Australia and Asia. This filmic background has played a large part in her later development as an artist. Her large floral landscapes in particular take on a dramatic cinematic presence. For many years her work has been heavily influenced by the Baroque and Rococo periods. They act as springboards for her to create utopian worlds for man and nature to reside in against the constant murmuration of discontent and chaos in humanity. Her expressive style moves between naturalism and the abstract and her goal is always focused on the light, energy and looseness in her paintings. The landscape in all its moods and forms is central to her heart and Kathryn inevitably strives to experiment with oils and mixed media to interpret this ever-fascinating genre.

Kathryn Fenton

Floriosa

Artist

Floriosa is the botanical studio practice of Sydney-based artist Sally Browne, using Australian flora as a starting point for expressive, painterly exploration guided by colour, intuition and a deep connection to place. Floriosa is a botanical painting practice based in Sydney, Australia. Drawing on Australian flora and landscape, the work uses plants and flowers as a starting point for expressive, painterly exploration rather than literal description. The paintings are intuitive and responsive, shaped through colour, gesture and mark-making in the moment. Forms appear loosely and fluidly, evoking the rhythm and energy of plant life without resolving into fixed imagery. The work sits gently between observation and abstraction, leaving space for atmosphere, feeling and personal interpretation. Sally Browne has been a practising artist since the early 1990s. After moving from the UK to Australia in 1994, what began as a gap year became a permanent home and a lasting connection to Australia’s plants, wildlife and landscapes. Spending quiet time in nature remains central to her process and wellbeing, and continues to inform the Floriosa works. She returned to full-time studio practice in 2015. Since then she has been a finalist in national awards including the Calleen Art Award, Greenway Art Prize, Lethbridge Art Prize, Bluethumb Art Prize and the National Contemporary Watercolour Prize. Her work has been widely collected, licensed across Australian homewares and gift ranges, and exhibited in solo and group exhibitions.

Floriosa

Kasia Frankowicz

Artist

Kasia Frankowicz infuses her art with the rich tapestry of her life experiences. Her canvas becomes a mirror of her mood and reflections, a vivid expression of the heart she wears on her sleeve. Born to refugee parents in Western Sydney, Australia, she now resides in Melbourne where she creates work with a fusion of street culture and pop, a vibrant celebration of the everyday that resonates deeply with viewers. While some of her pieces delve into the profound layers of her journey, exploring the complexities of her Catholic upbringing and celebrating her identity as an intersectional feminist and a queer artist, others radiate with sheer enjoyment. Not every creation is a deep emotional odyssey; some are as joyful and vibrant as they appear, inviting viewers into a world of fun and lively expression. In each stroke and colour choice, Kasia weaves a tapestry that captures both the lighthearted and profound aspects of her personal story. Kasia’s talent has garnered acclaim in prestigious publications, such as Art/Edit and as the cover artist for WB40 Magazine. She has taken centre stage at events like The Other Art Fair and Saatchi Art, earning a special place in the pages of Frankie Magazine, Voyage La and a Bluethumb art prize finalist. Recent highlights include her collaboration with the University of New South Wales, painting a lab coat to celebrate physics, and hand-painting 20 cameras for 35mm Co as part of World Pride, Her work serves as a testament to her commitment to meaningful causes and her unwavering dedication to making a difference through art. Kasia Frankowicz’s art radiates the vibrancy of life, a captivating blend of contemporary pop, personal narrative, and social awareness, all brought together with finesse and flair.

Kasia Frankowicz

Hayley Megan French

Artist

Dr Hayley Megan French traces the quiet geometries of suburbia and home; mapping memory, belonging and the deep textures of place through paint, photography and writing. Dr Hayley Megan French's practice is an ongoing act of attentive home-making - a layered, poetic engagement with place that intertwines personal geography, suburban histories, and broader social narratives. Her work offers a rich, methodical observation of the everyday, translated into painting, photography, writing and curatorial inquiry. Her growing archive of works continues to challenge assumptions about how we live in suburbia and how art can help us situate ourselves within it. Across her career, French has achieved significant recognition as both a practitioner and researcher. Her PhD on the influence of Aboriginal painting on Australian contemporary painting earned the prestigious CHASS Student Prize; she has held notable solo exhibitions such as 'Within Walking Distance' (The Condensery, 2022), 'The Pipeline: A Suburban Painting Project' (Galerie pompom, 2020) and 'Horizons Present and Unseen (Broken Hills Regional Art Gallery, 2017); and exhibited in group shows including 'Looking at Painting' (Casula Powerhouse, 2021) and the Nationally touring 'Legacy: Reflections on Mabo' (2019). Alongside her painting practice, French has contributed critical writing to respected publications and curated exhibitions across Sydney and regional NSW both in her role with Parramatta Artists Studios and as an independent curator. French's residency at Bundanon in 2023 further deepened her exploration of place, extending her inquiry into the relationships between home and landscape. Her growing archive of works is deeply reflective, research-informed, and consistently committed to reimagining how we understand home and locality in Australia.

Hayley Megan French

Sarah Furzer

Artist

Entering the pandemic after experiencing the loss of a child, being creative and delving into her imagination was the best escape from reality. It was during this time, missing her family, spending time with friends, even a smile from a passing stranger, Sarah realised the need for human connection. Sarah’s work has evolved from her curiosity for this intrinsic need, that everyone shares, for a human connection. Often finding inspiration from her friends and family, Sarah uses bright, bold and contrasting colours to reflect these impactful relationships that bring her so much joy and wonder. Dancing alone or embracing each other, Sarah’s body of work shares snapshots of loved memories and hopeful new experiences, encouraging audiences to slow down and enjoy the present moment. Sarah Furzer is an artist and Mother living on the Bellarine Peninsula in Victoria. Sarah graduated from Monash University with a degree in Bachelor of Design, Visual Communication. Sarah went on to work in a renowned design studio, while nurturing her passion for illustration and image making. Since becoming a Mother, Sarah has continued to work in design but her passion for art was reignited during her time in lockdown, spending afternoons with her daughter making art. Sarah has started gradually moving away from the screen to focus more on her art practice, and now spends every spare moment in her home studio. Sarah’s artist process usually begins with blues or rock'n'roll music filling the studio and playing with paper collage or drawing in her sketchbook. The designs are then transferred to the computer so Sarah can manipulate the colours and composition. Through her playful exploration of the cut up shapes and colours, Sarah reveals a series of intimate moments and shared interactions between these faceless figures

Sarah Furzer

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Zuzu Galova

Artist

Zuzu Galova is a fearless contemporary artist whose work celebrates the power, complexity, and unapologetic spirit of women. She blends minimalism with emotional intensity, creating bold visual worlds that inspire one to follow the wildest passions. Her practice bridges fine art, illustration, and cultural storytelling, making her a distinctive voice in today’s art landscape. Zuzu Galova is a fearless contemporary artist whose work celebrates the power, complexity, and unapologetic spirit of women. She blends minimalism with emotional intensity, creating bold visual worlds that inspire one to follow the wildest passions. Her practice bridges fine art, illustration, and cultural storytelling, making her a distinctive voice in today’s art landscape. Born in Slovakia and now based in Sydney, Galova is an artist whose evolving style reflects both discipline and intuition. Her signature approach combines clean lines, pastel palettes, and a deep emotional undercurrent that allows her subjects, often women, to occupy space with confidence, softness, and strength. She draws inspiration from everyday life, surf culture, and the beauty of human resilience, infusing each work with a sense of presence and purpose. Galova’s work spans multiple mediums, including painting, digital illustration, and augmented-reality–enhanced installations. Her pieces have been exhibited across Europe and Australia, and she has collaborated with prominent international brands such as Wella, Forbes, Škoda, Samsung, Absolut Vodka, and OWAY. Her artistic universe continues to expand through editorial work, brand partnerships, immersive exhibitions, and personal collections like Unimpressed Geisha and Asian Fusion. Through her creative practice, Galova aims to empower audiences, especially women, to trust their inner strength, embrace their ambitions, and reconnect with their own stories. Her art is both an invitation and a declaration: to be brave, to be curious, and to live with fierce authenticity.

Zuzu Galova

Andriane Georgiou

Artist

Modern Impressionist Painter Origins: Born in Sydney, raised in Athens, now based in Brisbane. Artistic Journey: Began with pencil and ink drawings; transitioned to oil painting for its richness in color and depth. Education: Holds a Visual Arts degree from Sydney University. Career: Balanced art with a full-time administrative role for over a decade while raising four children. 2024 Milestone: Transitioned to painting full-time, fully embracing her artistic calling. Inspiration: Draws from everyday surroundings to create art that reflects warmth, simplicity, and a sense of home. Exhibitions and Reach: Featured in group and duo exhibitions; her work is collected across Australia and internationally. Born in Sydney and raised in Athens, Andriane now calls Brisbane home, where she lives and works. Her artistic journey began with pencil and ink drawings, before evolving into oil painting, a medium she embraces for its richness in color and depth. Andriane pursued her formal education in visual arts at Sydney University. For over a decade, she balanced part-time painting with a full-time administrative career, all while raising a family of four children. In early 2024, she embraced her artistic calling fully, dedicating herself to painting full-time. She has participated extensively in group and duo exhibitions, with her artworks finding homes both across Australia and internationally. Influenced by modern impressionism, Andriane draws inspiration from her immediate surroundings. Her work reflects a cozy and welcoming atmosphere, offering viewers a sense of home and an escape from the complexities of modern life. Each piece invites the audience to feel at ease and find joy in its warmth and simplicity.

Andriane Georgiou

Nastia Gladushchenko

Artist

Nastia Gladushchenko is a Ukrainian-Australian artist living in the misty Blue Mountains of NSW, Australia and painting the world with a softness, boldness and vibrancy at small scale and at a large scale through public art commissions worldwide. NASTIA GLADUSHCHENKO’s works explore themes of identity, human connection, the environment and human/animal displacement. Her playful, bold and fluid shapes aim to bring wonder, contemplation and a desire for humans to connect with the natural world and with each other. Alongside small scale works, she’s interested in creating large-scale, site-specific public art pieces in urban environments for and with local communities to allow them to access art and to experience its’ benefits in public spaces. Living and working from the home she designed with her partner on a bush block in the Blue Mountains of New South Wales, she often takes inspiration from the forms, colours, smells and textures of the natural environment around her as a way to create inclusive works that break down cultural and language barriers to tell stories of the land. She is deeply inspired by her childhood memories which center around the natural environment, the dream-like city she was born in by the Black Sea, folk art and architecture/the built environment. Whether her works are indoors or outdoors, large or small, she hopes for them to spark conversations about preserving and protecting the environment between friends and strangers. As well as The Cornerstore Gallery, Nastia has exhibited with Day Gallery Blackheath, The Blue Mountains Cultural Centre, Brunswick Street Gallery, Zetland Store Gallery and has small works in private collections and large scale public commissions world-wide.

Nastia Gladushchenko

Teneille Grace

Artist

A versatile painter of both dreamy abstracts and more realistic depictions, Teneille’s work aims to tell a story and transform your space into a beautiful sanctuary where you'll draw inspiration and life from every day. Working mostly in acrylics, her inspiration comes from life, loves, nature, music and even a simple conversation or thought. The artist’s abstract work aims to delve more into the visceral experience, through the exploration of colour, form and composition. The crisp, smooth edges and brushstrokes are a hallmark of Teneille’s work, and serve as a form of meditation, through repetition and extreme focus to calm an anxious mind. Her more realistic depictions are focused on capturing fleeting moments in time, with a real passion for painting beautiful, Australian birds. For as long as she can remember, art and painting has been Teneille’s one true love, seeing her through some very hard times while remaining a true and enduring friend. She views this practice as both therapy and storytelling simultaneously, and believes art is for and should be enjoyed by everyone. A versatile painter of both dreamy abstracts and more realistic depictions, Teneille’s work aims to tell a story and transform your space into a beautiful sanctuary where you'll draw inspiration and life from every day. Working mostly in acrylics, her inspiration comes from life, loves, nature, music and even a simple conversation or thought. The artist’s abstract work aims to delve more into the visceral experience, through the exploration of colour, form and composition. The crisp, smooth edges and brushstrokes are a hallmark of Teneille’s work, and serve as a form of meditation, through repetition and extreme focus to calm an anxious mind. Her more realistic depictions are focused on capturing fleeting moments in time, with a real passion for painting beautiful, Australian birds. For as long as she can remember, art and painting has been Teneille’s one true love, seeing her through some very hard times while remaining a true and enduring friend. She views this practice as both therapy and storytelling simultaneously, and believes art is for and should be enjoyed by everyone.

Teneille Grace

Mish Graham

Artist

Mish Graham is a Melbourne-based contemporary artist whose vibrant, layered works radiate colour, texture, and human connection. She emerged as a painter in 2020 after a near-fatal appendectomy — a life-altering moment that sparked an unstoppable creative drive. With a decade of experience working alongside Deaf communities across Australia, London, Samoa, Auckland, and the Gold Coast, Mish brings values of inclusion, accessibility, and cultural exchange into every piece. Her practice is an adventurous blend of bold experimentation and storytelling, inviting audiences into works that are as emotionally charged as they are visually striking. Mish Graham is a Melbourne-based contemporary artist whose vibrant mixed-media works explore themes of connection, resilience, and cultural exchange. After a near-fatal appendectomy in 2020, Mish turned to painting as both therapy and transformation, rapidly developing a distinctive artistic voice marked by bold layers of colour, texture, and movement. Her decade-long work with Deaf communities across Australia, London, Samoa, Auckland, and the Gold Coast deeply informs her practice, infusing it with a commitment to accessibility, inclusion, and storytelling beyond traditional boundaries. Mish’s art reflects a lived experience of bridging worlds — visual, cultural, and linguistic — and she actively creates spaces where these intersect. In 2022, Mish’s solo exhibition Birthdays brought together 62 original works and fostered community by providing Auslan interpretation, ensuring Deaf audiences could fully engage. The following year, her art was featured on the cover of a published poetry book, a milestone that held particular meaning given her personal journey of learning to read after childhood challenges. Mish’s international collaborations, especially in Samoa and Auckland, have expanded her artistic horizons and enriched her exploration of cultural narratives through colour and form. Her selection for the 2024 Equip: Leadership Toolkit program with Arts Access Australia further highlights her role as an emerging leader dedicated to advocating for accessibility in the arts. Beyond her studio practice, Mish teaches art classes in both English and Auslan, and speaks at schools about creative living, empowering diverse audiences to embrace creativity as a tool for connection and wellbeing. Her creative process begins with travel, nature, and human connection as inspiration, evolving through spontaneous mark-making, layering, and refinement in her light-filled Melbourne studio. Mish’s work invites audiences into an immersive experience of emotion and movement, encouraging reflection and dialogue across diverse communities.

Mish Graham

Abby Whiteley Greeff

Artist

Abby Whiteley Greeff is a Sydney-based artist working primarily in oil and acrylic. With a background in high-end interior design, she brings a refined sense of composition, texture, and restraint to her visual art practice. Her shift to painting was shaped by personal loss, prompting a deeper exploration of memory, emotion, and the passage of time through intuitive, expressive mark-making. Abby’s work explores the beauty of everyday moments and the emotional resonance of the natural world. Drawing on her connection to nature and her design sensibility, she creates gestural, layered pieces that blur the line between observation and memory. She’s deeply interested in the idea of conservation—preserving not just the natural environment but also the fleeting moments of life: a passing glance, a shift in light, a feeling that’s hard to name. After losing her father to dementia, this desire to hold onto what was slipping away became central to her practice. Abby Whiteley Greeff is a multidisciplinary artist based on Sydney’s Northern Beaches. With a decade-long background in interior design, Abby brings a refined understanding of space, composition, and texture to her visual art practice. Her shift to full-time painting emerged from a deeply personal place — the loss of her father to an aggressive form of dementia. In processing this grief, painting became a way to preserve memory and capture fleeting emotional landscapes. Her practice is guided by intuition and emotional truth, influenced by her creative lineage — Abby is related to renowned Australian artist Brett Whiteley. She works predominantly in oils and acrylics, using layered brushwork and softened tones to evoke a sense of memory, stillness, and transformation. Her paintings often explore nature, family, and the ephemeral moments of connection that shape our lives. Abby’s work is both personal and universal, capturing the tension between holding on and letting go. With each piece, she seeks to blur the line between reality and recollection — preserving what is felt rather than what is seen. Her compositions invite viewers to slow down, to reflect, and to feel. Through her art, Abby offers an ongoing exploration of presence, loss, and renewal an invitation to honour beauty in the ordinary and find peace in change.

Abby Whiteley Greeff

Pete Groves

Artist

As an artist, Pete always relished the challenge of turning a blank canvas into something with life, curiosity and contemplation. His art is where spontaneity and careful planning coexist, his end goal is to invite joy and engage curiosity. Each painting is a story, made up from a collection of experiences and visual memories, offering layers of texture, colour, pattern and form for the viewer to explore. Pete Groves is a visual artist living in Melbourne. Growing up in a semi-rural environment he spent much of his time kicking around outside in paddocks , mingling with a menagerie of animals, climbing trees playing in creeks and dams and creating adventures. All a constant source for the imagination. After his formative years, Pete embarked on a journey of travel and experiences, including spending several years in Mexico. It was in Mexico that he developed a deep appreciation for storytelling and symbolism in the work of Mexican artists, which became a significant influence on his own artistic approach. Pete Groves completed a Bachelor of Arts in Graphic Design at Swinburne Institute of Technology. Pete’s work is represented in private collections in Australia, the USA, Japan and London, including the BHP Billiton London collection. Princess Margaret Hospital for Children, Subiaco, Western Australia. Southern Health Art gallery, Monash Medical Centre, Victoria. As well as exhibiting in numerous successful solo and selected group exhibitions for the past 30 years.

Pete Groves

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Marie Aubeline Hiot

Artist

Marie is a multidisciplinary artist exploring the emotional connections between food, memory, and joy. Through vibrant oil paintings, she celebrates shared moments and the fleeting beauty of time. Playful and nostalgic, her creations spark warmth and delight. Marie-Aubeline (b. 1998, Royan / France) is a French artist based in Sydney, Australia. She has a background as a Pastry Chef before completing a BFA in painting at the National Art School. She is represented with Bison Art Sydney. A multidisciplinary artist, she focuses on painting and sculpture, exploring the sensory and emotional connections people have with food. Her work navigates themes of nostalgia, joy, and the passage of time, often reflecting on shared moments around food that evoke warmth and connection. Her practice is divided into two key series: the oil series and the textured series. In the oil series, Marie-Aubeline creates detailed, vibrant paintings of food scenes, celebrating the ritual of sharing meals with loved ones. The textured series, however, is more abstract and heavily textured, imitating the appearance of butter, gelato, or cake icing. Both series invite viewers to reconnect with their memories and emotions around food. Marie-Aubeline's work is playful and cheeky, particularly her Ice Pop sculptures, which appear as if they're melting. These sculptures symbolise the fleeting nature of time and remind us to savor the moment before it slips away. Her art is meant to bring joy to the viewer, sparking a sense of nostalgia while encouraging an appreciation for life's simple pleasures.Through her exploration of food and its cultural significance, Marie-Aubeline creates work that is both visually delightful and emotionally resonant, leaving viewers with a sense of warmth and happiness.

Marie Aubeline Hiot

Hiranya

Artist

Hiranya is a classical figurative artist based in Brisbane, Australia. She exclusively produces works derived from memories and experiences through various reflexions of today’s social, cultural and economic ambience. She is currently producing her ongoing abstract portraiture series 'Tearoom' which has started as a personal fascination for culture and flavour, but eventually moved to a level of inspirations by the fluidity of the body movements. Vibrant stripe patterns on the subject's outfit is a key focus point. starting from simpler-minimal story to sophisticated tales with artist's personal favourites; colourful tea cups and tea pots, and all other details come with it. Each work takes its own significant time to finish based on the amount of details going in. The beauty of every aspect and little details of each work is extremely important to the artist. Hence they are carefully realised. The stories the artist wishes to discuss, sustain their own historical and artistic values. Growing up in an environment which was diversely influenced by ethnic values, made her realise that womanhood plays a significant role in actualising any story. With this mindfulness, her narrative figure becomes an independent female identity who establishes a healing space for her existence. This subject is maybe a hybridised form of a being who represents power, beauty, fragility, sexuality and vulnerability. In a world with a manufactured happiness where everything is valued by materialistic worth, the artist explores real human connections, emotions and devotions which are withering away. Focusing on this very thought, she believes her female protagonist has become a creator of a profound human connection and a communicator of emotions. The imagery she uses, show a strong influence from the ancient Indo-Aryan painting techniques which she studied in detail and the classical figure studies found in cave temples, frescoes and monastery walls where she grew up. Bold colours and symbolism are a focus point. It maybe a direct reflection of her training in local art school and the ethnic environment she was exposed to.

Hiranya

Greta Hounslow

Artist

Greta Hounslow is an Australian artist known for her evocative paintings that draw deeply from her connection to nature and her extensive travels. Her work, which blends abstract forms with elements of Australiana and colourful patchwork landscapes, invites viewers into a rich, immersive experience that transcends time and place. Greta grew up in a creative family, waking up at sunrise to the rhythmic sound of her father forging and hammering in his shed. Her love for drawing transformed into a passion for painting after her grandmother took her along to an oil painting class at the age of ten. Greta's artistic journey expanded as she studied painting, ceramics and photography in college, earning awards in all three disciplines. Her adventurous spirit took her travelling across Australia for a decade, where she always had a sketchbook and a guitar within reach. However, it wasn't until she became a mother and returned to her hometown of Hobart, Tasmania, that she felt the compelling urge to paint again. Her sunny home studio by the sea now serves as a sanctuary where she translates her connection to Mother Earth and travels through remote Australia into her paintings. Working intuitively, Greta often enters a meditative state, invoking old memories and emotions, drawing viewers into an ephemeral narrative that transcends the layered canvas. Nature serves as her foremost muse, with the vibrant and earthy hues, textures, and inherent magic of the beach and bushland profoundly influencing her daily rituals and artistic practice.

Greta Hounslow

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Zoe Irving

Artist

Zoe Irving is a multi-disciplinary artist who observes anthropogenic landscapes and our human attempt to assert order and ideology over a boundless world. Zoe Irving is a multi-disciplinary artist who works across painting, sculpture, music and printmaking. Her work is an embodied attempt to slow down, regain appreciation of our sensory tactile existence and from that place, explore abstract ideas and theories. The brush strokes in her paintings show her rapidly moving mind, with fast colours and textures layered on top of each other, and spontaneous lines that attempt to link human and non-human worlds. Her inclusion of architectural shapes and human faces in vast landscapes invite viewers in to muse at the irony of our human attempts to turn deep geological time-scales into construction sites with site offices. Intertwining sociology, ecological collapse, aesthetic theory and inter-personal relationships, she visually depicts these spaces through suburban open cut quarries, logging coupes on our city fringes, pylons and powerlines, straightened urban river courses, altered farmland, roadkill and our increasingly fragile emotional states that inflict and exist amongst all this. She has exhibited in solo and group exhibitions in commercial and artist run galleries though-out Melbourne, and has completed an artist in residence program in the cultural region of Obinitsa in Estonia. Her music has been heard throughout local Melbourne venues and on community radio stations throughout Australia.

Zoe Irving

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Kerrie Jacobs

Artist

I am a practicing artist living on the Mornington Peninsula, constantly inspired by the shifting landscapes of beach, farmland, and forest. This connection to nature deeply influences my work, which flows between two main streams—vibrant, abstract florals and quirky, character-filled tablescapes. I am also deeply inspired by colour, texture, and intuition. I create from a place of feeling rather than planning, letting the process guide me. Texture and layers are essential to my work—they hold emotion, energy, and a sense of discovery. My work has been recognised as a finalist in the 2025 Art to Art Unearthed Art Prize, awards at various art exhibitions, and shown in galleries, cafes and art shows across Victoria , New South Wales and Queensland. Whether I’m painting intuitively or arranging a whimsical tablescape, my goal is always the same: to spark joy, curiosity, and connection. I am a practicing artist living on the Mornington Peninsula, constantly inspired by the shifting landscapes of beach, farmland, and forest. This connection to nature deeply influences my work, which flows between two main streams—vibrant, abstract florals and quirky, character-filled tablescapes. I am also deeply inspired by colour, texture, and intuition. I create from a place of feeling rather than planning, letting the process guide me. Texture and layers are essential to my work—they hold emotion, energy, and a sense of discovery. My work has been recognised as a finalist in the 2025 Art to Art Unearthed Art Prize, awards at various art exhibitions, and shown in galleries, cafes and art shows across Victoria , New South Wales and Queensland. Whether I’m painting intuitively or arranging a whimsical tablescape, my goal is always the same: to spark joy, curiosity, and connection.

Kerrie Jacobs

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Amy Kim

Artist

Amy Kim is a contemporary visual artist based in Melbourne, Australia, known for her vibrant use of bold forms and colors. Her art is a journey of self-discovery, exploring the mysteries within herself and the world around her. Originally from Seoul, South Korea, Amy moved to Melbourne in 2000 to study Fine Arts at the Victorian College of the Arts, University of Melbourne, where she majored in painting. Her creative journey spans a variety of fields, including theatre design, art direction, interior styling, graphic design, and teaching, all of which have contributed to her distinctive artistic voice. These experiences enrich her practice, allowing her to weave narratives that resonate deeply with diverse audiences. Amy’s work has been showcased in exhibitions both nationally and internationally, earning her a global audience. Her pieces are part of collections around the world, reflecting her ability to connect across cultures through her dynamic and evocative creations. Amy Kim’s art seamlessly weaves resilience and vulnerability, connection and solitude, and identity and memory into a rich tapestry of visual storytelling. A Melbourne-based artist with roots in Seoul, South Korea, Amy draws from her cultural heritage and multidisciplinary background in painting, design, and education to create works that fuse the tangible with the surreal. Her practice is marked by bold, vibrant forms, fragmented shapes, and organic lines that narrate the paradoxes of modern human relationships and deeply personal stories. Infused with inspiration from her cultural roots and the intricacies of everyday life, Amy’s art explores themes such as fragmented identity, generational narratives, and the beauty found in imperfection. Combining geometric precision with expressive and minimal abstraction, her compositions invite viewers to find harmony within life’s contradictions. Each piece emerges from a layered process—initial sketches capture fleeting reflections, colours evoke emotional resonance, and intuition guides her hand to create multi-dimensional, evocative artworks. Through her work, Amy Kim offers a lens through which audiences can pause, reflect, and uncover the ironic elegance of life. Her art bridges the personal and universal, transforming familiar experiences into vibrant, surreal landscapes that provoke thought and invite connection.

Amy Kim

John Klein

Artist

John seeks to document and highlight a discussion about both quality design in our everyday utilitarian items, along with the restorative nature of the bloom – a life force in nature. John Klein is a contemporary Australian artist who has been engaged in creative pursuits his entire career. His love for the visual arts has seen him drawn to the mediums of film, photography and painting. He has been a finalist in a number of prestigious art prizes including the Mosman, Kennedy and Gallipoli to name a few. John enjoys collecting various objects which often become the subject matter for his unique still life paintings. He is an avid gardener which is also reflected throughout his floral subjects. “I have been collecting vases and other objet d’art for the last thirty years. I am most interested in the designs from the arts and crafts, art nouveau and art deco periods, and these appear regularly in my paintings. Some of the vases I own and others I covet. My interest in gardening and art was encouraged by my father, who was also an artist and trained under the legendary Rayner Hoff at East Sydney Technical College (now the National Art School) in the 1930s.” Whilst sometimes appearing decorative in nature, art collectors readily engage with John’s work through the deeper commentary on significant craftsmanship and tradition. John seeks to document and highlight a discussion about both quality design in our everyday utilitarian items, along with the restorative force of the bloom – a life force in nature. His paintings are held in private collections in Italy, France, Germany, USA, United Kingdom and throughout Australia.

John Klein

Amanda Krantz

Artist

I'm an artist (a painter mostly) and I live and work from my studios in Melbourne, Australia, and Honolulu, USA. I started painting full-time in 2004, and was coincidently about the time when an art market appeared on the internet. Although I had completed a bachelor degree in contemporary art a few years earlier, I wasn't ever expecting to have any success in the cut throat world of art that I had learned so much about. But I found myself unemployed, broke, and painting. And to my surprise and joy, there were these people on the other side of the internet that liked what I was making. I'm sure that if it were any other time in history I'd still be working in a bar (not that there's anything wrong with working in a bar! I loved it, and I often miss that life, but I have come to think that I'm better at pouring lacquers than liqueurs). Amanda Krantz is an artist, primarily a painter, who lives and works from her studios in Melbourne, Australia, and Honolulu, USA. She began painting full-time in 2004, coinciding with the emergence of the art market on the internet. Despite having completed a bachelor's degree in contemporary art a few years earlier, she never anticipated achieving any success in the fiercely competitive art world she had learned so much about. However, circumstances led her to be unemployed, broke, and immersed in painting. To her surprise and delight, she discovered a community of people on the other side of the internet who appreciated her artistic creations. Amanda believes that if it were any other point in history, she would likely still be working in a bar—a profession she loved and often misses. Nevertheless, she has come to realize that she excels more at pouring lacquers than liqueurs. Since then, Amanda Krantz has embarked on artist residencies in Japan, Thailand, and Tasmania, showcasing her work in numerous exhibitions across Australia, Italy, Los Angeles, North Carolina, and NYC. Notably, her artwork can be found in the Presidential Suite of the Renaissance Plano in Texas, as well as a prominent public commission displayed in the courtyard of The Ritz Carlton in Puerto Rico. Furthermore, she had the privilege of creating a large 10-piece public art commission for Ovation of the Sea, a Royal Caribbean liner. The artist thinks of their work as organic-psychedelia. The artworks are familiar depictions of ecology, yet they possess an otherworldly quality. They are particularly drawn to the universal patterns found in nature, ranging from the minuscule to the immense. They find inspiration in the way a coral reef in northern Queensland exhibits similar organic patterns as fungi thriving in the alpine tundra of Tasmania. This fascination leads to an imaginative exploration of what lies beyond our current knowledge, encompassing interplanetary or inter-dimensional realms, as well as lesser-explored known worlds like those of moss, fungi, and entomology. These are places of meticulously cultivated beauty that manipulate our perception of scale, evoking a nostalgic sense of fantasy. Their artistic process revolves around a playful exploration of materials. They view their relationship with paints as symbiotic, acknowledging the paints' lifelike fluidity. Acting as a facilitator, they allow the materials' innate ability to create chaotic and serendipitous effects. By harnessing the forces of gravity and heat, they employ natural phenomena to imitate nature itself. This scientific approach is executed in an organic manner, resulting in the creation of science-fiction-inspired and psychedelic landscapes, along with quasi-alien forms of life.

Amanda Krantz

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Trisha Lambi

Artist

Renowned for vibrant oil paintings, Trisha Lambi’s inspiration is light's effect on form, infusing emotions into her work. Renowned for vibrant oil paintings, Trisha Lambi’s inspiration is light's effect on form, infusing emotions into her work. She has exhibited globally, including representing Australia at the Guangzhou Art Fair and showcasing in California and New York. She has completed artist residencies in France and Crete, where she painted a mural in the old town of Heraklion. Her work has graced "The Block," and she has received awards in international competitions, including the American Art Awards. Lambi spent 2022 creating a series of paintings for a mosaic mural documenting the Charters Towers Gold Rush. Recent notable recognition include participation in the 2023 Clayton Utz Art Prize and Kennedy Prize, 2024 Doyles Art Award and 2024 Australian Street Art Awards Lambi’s career is marked by her distinctive style and emotional depth, making her a significant figure in contemporary art. Her works continue to inspire a global audience. TRISHA LAMBI Visual Artist www.trishalambi.com www.instagram.com/trishalambi trishalambi@trishalambi.com www.facebook.com/trishalambiart Phone 61 4 19745911 Public Art 2023 Mosaic Mural Poppet Head Plaza, Charters Towers – 60m long by 7m high 2018 Mural on streets of Lakkos, Heraklion, Crete as part of Artist Residency Artist Residencies 2022 Artist in Residence – International Women’s Day Corporate Art Exhibition, Brisbane, Australia 2021 Artist in Residence – Condamine Country Art and Open Studio Trail, Warwick, Australia 2019 Artspace Gites – Fontaine-Daniel, France 2018 Lakkos Artist Residency - Heraklion, Crete Selected Exhibitions 2024 Shortlisted Almenara Art Prize 2024 Finalist The Doyles Art Awards 2024 Finalist Australian Street Art Awards for work done on Wall of History Mosaic Mural 2023 Finalist Clayton Utz Prize 2023 Finalist Kennedy Prize 2023 Collectors’ Edition Art Lovers Australia Gold Coast Gallery Qld 2023 Amore Group Exhibition Artprenr Gallery Hamilton Brisbane Qld 2022 Finalist International Guild of Realism Fall Salon Exhibition 2022 Finalist Art Lovers Australia Art Prize 2021 Finalist International Guild of Realism Spring and Fall Salon 2021 Making A Splash Group Show Janet Rady Fine Art London/Dubai 2021 Colour Pop Group Show Art Lovers Australia Gallery Gold Coast Qld 2020 Finalist Wyndham Art Prize 2020 Finalist Art Lovers Australia Art Prize 2019 The Artists on The Block Group Show Art Lovers Australia Gold Coast Qld 2019 Artworks (3) featured on The Block TV Series 2019 Finalist Art Lovers Prize Art Lovers Australia 2018 Bloom Where You Are Planted Warwick Art Gallery Warwick 2018 50/50 Presented by Artistic Crows Nest Gallery London 2018 Semi Finalist Artbox Project New York 2017 Finalist Hornsby Art Prize Sydney NSW 2017 Underbelly Group Show Dab Art + H Gallery & Studios Ventura CA USA 2017 Finalist Corangamarah Art Prize Vic 2017 Gallery Finalist Lethbridge 10000 Small Scale Art Award Brisbane Qld 2017 Pure by Kapten & Son Melbourne Vic 2016 Finalist NAB Flanagan's Art Prize Geelong Vic 2016 Finalist Moreton Bay Region Art Awards Qld 2015 Finalist Corangamarah Art Prize Vic 2015 Modern Masters Tarttalks New York USA 2013 Best Picks for Painting Dubai International Emerging Artist Award UAE 2013 Finalist Lethbridge 10000 Small Scale Art Awards Brisbane Qld 2012 Finalist ART Taipei 2010 The Cooper Gallery presents Trisha Lambi Noosaville Qld 2009 Fleures et Femmes Tosari Galleries Toowoomba Qld 2009 Finalist She Who Discovers Walker St Gallery Dandenong Vic 2009 5 Senses - Excellence in Regional Art State Library of Qld 2008 Preselected Create To Advocate Parliament House Canberra 2008 The Money Myth Exhibition Toyota Community Spirit Gallery Melbourne Vic 2008 Finalist ANL Maritime Art Prize Melbourne Vic 2008 Au Naturel - The Nude in the 21st Century Oregon USA 2007 Guangzhou International Art Fair Guangzhou China 2006 Guangzhou International Art Fair Guangzhou China 2006 Selected Artist Avant Card Calling All Artists Project 2006 Flying Arts Regional Art Awards Townsville and Brisbane Qld 2006 Finalist Norvill Art Prize Murrurundi Nsw 2006 Blake Exceptions Exhibition Rushcutters Bay Gallery Sydney Nsw 2005 Group Show Galerie Faerber Ahrensburg Germany 2005 Churchie Emerging Art Exhibition Brisbane Qld 2004 Lighting the Body Soda Gallery Avalon Sydney NSW Grants and Awards 2020 6th Place Human Figure Category American Art Awards 2020 Merit Award Shades of Red Curated by Camelback Gallery 2012 Zone Winner London Olympics 2012 Art Show J L Gallery London 2009 Winner $5000 Acquisitive Warwick Art Prize Warwick Qld 2006 First Prize Just Nudes Exhibition Ipswich Qld 2005 People's Choice Award Regional Art Awards Toowoomba 2005 RADF (Regional Artist Development Fund) Grant to assist with exhibition in Germany 2003 RADF Grant to assist with exhibition in Italy Public Collections Southern Downs Regional Council Qld Australia Private Collections Australia, China, Cyprus, USA, Spain, Germany, England, Scotland, United Arab Emirates, Canada, Switzerland, France Media 2024 Interview Queensland Country Life re Wall of History Mosaic Mural 2022 Interview ABC North Qld Mornings With Jess Radio Show to talk about the Charters Towers Mural 2022 Women United Art Magazine – Curator’s Pick 2019 Artworks (3) featured on the Australian TV Series ‘The Block’ 2018 Klassik Magazine International December 2018 2017 Average Arts Magazine July 2017 2016 Not Random Art Issue 2 June 2016 2016 Trisha Lambi: The Sensuality of Light Art Book Guy New York 2015 Best of Figurative Art Art Edit Magazine 2014 Interview Marsocial Online Magazine www.marsocial,com 2014 Interview The Art Zine www.taz.ondaradioattiva.it 2008 Interview Art Elite Online Magazine www.artelite.org 2008 'Interviews With Celebrities' Happiness section Of www.jobx.com.au website 2006 Manly Daily 7/7/06 'Figuratively Speaking' 2005 Queensland Times 22/6/05 'Ipswich Art Stops German Traffic' 2005 'Vanguard - Paper Wake' Issue 1 2005 - University Of Queensland's Art and Literary Journal 2004 Spectrum Weekend Edition Sydney Morning Herald 30/10/04 Review Of 'Lighting The Body' By Lenny Ann Low

Trisha Lambi

Lisa Lee

Artist

After honing her craft at the prestigious Nanjing University of the Arts, Lisa Lee embarked on a transformative journey to Australia, where the country’s stunning landscapes and raw natural beauty have become a driving force in her artistic expression. Her powerful works, such as the evocative ‘Flora after Bushfire,’ are deeply inspired by Australia’s unique environment and the emotional impact of recent bushfires. An avid traveler, Lisa Lee captures the essence of waterfalls, mountains, and rivers in her nature-inspired paintings. More recently, her artistic exploration has evolved into abstract art, where she delves into uncharted creative territory with bold techniques, mirroring the complexity of the modern world. Her innovative abstract pieces reflect a dynamic fusion of passion, intellect, and ambition, pushing the boundaries of contemporary art. After honing her craft at the prestigious Nanjing University of the Arts, Lisa Lee embarked on a transformative journey to Australia, where the country’s stunning landscapes and raw natural beauty have become a driving force in her artistic expression. Her powerful works, such as the evocative ‘Flora after Bushfire,’ are deeply inspired by Australia’s unique environment and the emotional impact of recent bushfires. An avid traveler, Lisa Lee captures the essence of waterfalls, mountains, and rivers in her nature-inspired paintings. More recently, her artistic exploration has evolved into abstract art, where she delves into uncharted creative territory with bold techniques, mirroring the complexity of the modern world. Her innovative abstract pieces reflect a dynamic fusion of passion, intellect, and ambition, pushing the boundaries of contemporary art.

Lisa Lee

Justin Lees

Artist

Justin Lees Born 1981. Lives and works in Mulubinba / Newcastle, Australia. Justin Lees is a multidisciplinary artist whose practice spans painting, sculpture, photography, and design. With a bold abstract expressionist style characterised by visceral brushwork, vivid colour palettes, and textured layers, Lees’ work evokes a raw emotional language that invites deep reflection on memory, nature, and the human condition. Justin Lees Born 1981. Lives and works in Mulubinba / Newcastle, Australia. Justin Lees is a multidisciplinary artist whose practice spans painting, sculpture, photography, and design. With a bold abstract expressionist style characterised by visceral brushwork, vivid colour palettes, and textured layers, Lees’ work evokes a raw emotional language that invites deep reflection on memory, nature, and the human condition. A self-taught artist, Lees has exhibited widely across Australia and internationally, with over ten solo exhibitions since 2004. His work draws on personal experience, intuition, and introspection—creating pieces that move between chaos and harmony, often anchored by landscape or internal states. Whether working on large-scale canvases or intimate studies, Lees’ approach is immersive, gestural, and deeply felt. After a period of part-time practice between 2008 and 2014, Lees returned to full-time artmaking with renewed energy in 2019, when he was appointed Artist in Residence at the Hunter Medical Research Institute (HMRI). This unique collaboration between science and art became a catalyst for further multidisciplinary experimentation and led to a series of sold-out solo exhibitions. In 2023, he presented I Saw Your Ghost Tonight at Wester Gallery—a major solo exhibition accompanied by a self-published book and a short documentary, which he co-produced and scored. The project reflected his ability to synthesise multiple creative forms into a singular, emotive narrative. Lees has undertaken a number of significant public and private commissions, including large-scale works and curated interior projects. His work is held in private collections across Australia, New Zealand, England, and Europe. In 2024, he was awarded the David Strachan Memorial Prize for Contemporary and Non-Traditional Practice, and was a finalist in both the Gosford Art Prize and the LEDA Gallery Prize, as well as a semi-finalist in the Newcastle Club Foundation Art Prize. In 2024, Lees undertook an international residency in France, where he began developing a new body of work exploring the interplay between visual art and sound. The residency marked a pivotal moment in expanding his practice into multi-sensory installation and laid the foundation for his next major solo project. With a growing national and international profile, Justin Lees continues to explore new territory—challenging traditional forms while remaining deeply connected to emotion, landscape, and memory. His works offer a poetic and powerful encounter for viewers and a compelling voice for contemporary Australian art.

Justin Lees

Harriet Links

Artist

Harriet Links is an emerging artist residing in Clifton Beach, Southern Tasmania. She draws inspiration from a profound curiosity shaped by global travels and diverse life encounters. Her artistic journey seeks to unravel the complexities of identity and explore the contemporary female experience. Delving into the intricacies of the human condition, Harriet's work is a visual testament to ongoing self-discovery. Her current practice explores the juxtaposition of stillness and movement, featuring the equine form as a symbolic reference to the struggle within every individual. Using acrylics and mixed media, Harriet transforms these equine figures into vibrant reflections of her inner self, inviting viewers to contemplate their own journey within the shared human experience. With a Bachelor of Fine Arts and a full-time dedication to painting since 2023, Harriet's work has graced exhibitions across Tasmania and Mainland Australia. She has successfully held three solo shows in Hobart and Melbourne in 2024/2025. Harriet was recently selected as a finalist in 'The Next Big Thing' Art Prize 2025, at The Toowoomba Gallery, Queensland and is a finalist in Lethbridge Landscape prize, Brisbane. Harriet Links, an emerging artist based in Hobart, Tasmania, finds her creative impulse rooted in a boundless curiosity cultivated through interactions with people and the natural world. Her process is shaped from travel and an abundance of rich life experiences. Harriet seeks to unravel the complexities of her identity and make sense of the evolving world that surrounds her. Her artistic exploration delves into the intricacies of the human condition, shedding light on what it means to be a woman in today's dynamic and ever-changing global landscape. Harriet’s work is a visual testament to the ongoing journey of self-discovery. In her current artistic practice, she is fascinated by the juxtaposition of stillness and movement, focus and distraction. A recurring motif within her work is the equine form, serving as a figurative reference that symbolises the struggle between the constrained and the out-of-control aspects within every individual. The horse, embodying strength, flow, positive energy, aspiration, peace, and escapism, becomes a powerful conduit for connectedness and personal growth. The abstract elements in Harriet's work mirror the frantic disconnect prevalent in modern lives, providing a tangible representation of the chaos inherent in the quest for balance and meaning. Her intention is to create a space for contemplation, inviting viewers to reflect on their own journey and discover resonance inside the shared human experience. This quiet space is represented by a broad use of negative space within her work. Harriet uses acrylics, and mixed media on canvas to transform the equine figure into a colourful reflection of her inner self. Each artistic choice becomes a visual narrative, unveiling human desires, childhood traumas, and the daily struggles that shape our existence.

Harriet Links

Liz Lovell

Artist

Liz is an Australian-born Sydney based artist. Her artworks are based on a variety of different aspects of the Australian life as seen with beachscapes and high country series. Most artworks tend to feature Australian wildlife and botany. Liz has featured in the ArtEdit Magazine, Best of Flora and Fauna , 2018. Her artworks are painted with the intention to highlight the beauty of wildlife and the nature for expressing the importance of conservation and protection of those that have no voice. She aims to capture character in the animate and inanimate with a broad brushstroke of harmony and aesthestic added to the eclectic mix. Observations made on Liz's on everyday walks, her upbringing in Sydney’s eastern suburbs, love of wildlife or travels abroad inspire her artworks, using texture, hues, forms, colours and lines to portray the natural world and symmetry or asymmetry that exists. Liz enjoys variety in her artworks, as they say variety is spice of life, as such does not limit her artworks to any particular matter or thing. So little time and so much to paint means she is always painting several art series at any point in her home art studio. Previously an investment banker with a Masters in Commerce from UNSW , Liz has a Diploma of Visual Arts from Northbridge Previously an investment banker with a Masters in Commerce from UNSW , Liz has a Diploma of Visual Arts from Northbridge Art School 2015 and a certificate in Natural History Illustration from the University of Newcastle. Liz has also attended National Art School, Julian Ashton and Art Est art courses amongst others art courses around Sydney for life drawing and pottery). Liz has also taught watercolour and life drawing at art workshops teacher with Bustle Studios in Surry Hills and at an art gallery, in St Leonards. Liz also underwent training as a volunteer art guide with Art Gallery of NSW, an experience that certainly enhanced her artistic education and appreciation. Time is precious in her art studio, especially with a busy family life, budgies, gardening, spending time with her darling bordoodle dog and other work commitments that also keep her busy. She has recently taken to enjoying kayaking and plans to include more travels abroad to provide more artistic inspiration to her artworks.

Liz Lovell

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Jasmine Mansbridge

Artist

Jasmine is a professional practicing artist whose work is best described as the meeting of exploration and refinement. Jasmine has taken her art to a number of mediums – sculpture, large-scale public works and intimate paintings for private collection, and more recently film and animation. She is not afraid to venture outside an established comfort zone. Whatever her choice of art form, Mansbridge brings a refined and meticulous hand to the work; her deliberation and contemplation are evident at all times. The work provokes thought and wonder and gives the viewer the chance to apply their personal storytelling, as they unpack the geometry and portals of Mansbridge’s imagined world. With nearly thirty years of practice — seventeen of them full-time — Jasmine Mansbridge is a multidisciplinary visual artist, stone sculptor, and published author whose work spans painting, large-scale public art, installation, and writing. Based in the Grampians region of Victoria, her practice is rooted in placemaking, sacred geometry, and the natural world, creating work that actively supports the parasympathetic nervous system and a sense of belonging in the landscape. Represented internationally by Art Partners HK and Soluna Fine Art (Hong Kong), Jasmine has maintained a sustained Asia Pacific presence across nine consecutive years of Hong Kong Art Week, encompassing exhibitions, workshops, and panel participation. In 2019 she was commissioned by the Hong Kong government to create a large-scale mural at Pacific Place, 88 Queensway — one of the city's most prominent public sites. Her 2017 visit to Beijing resulted in mural commissions and a significant connection with Red Gate Gallery, Beijing's leading contemporary arts institution. In Australia, her public art commissions include large-scale works in stone, bonded aggregate, and mixed media. Her Postcards in Stone series — hand-carved Grampians sandstone maquettes and paintings — has introduced her stone practice to a new collector market, alongside ongoing major private and public commissions in sandstone. Jasmine is a published author of two books — There's a Paintbrush in My Coffee (2016) and the poetry collection Poetry Buried in Geometry (2025/26) — with a third title forthcoming. Her work has been exhibited internationally in Hong Kong, France, Singapore, and London, and across Australia from regional galleries to major commercial venues. A confirmed retrospective at Horsham Regional Gallery opens in November 2026. In July 2026, Jasmine will participate in the ONIRA Group Show residency in Lisbon, Portugal — continuing her commitment to international exchange and situating her practice within a global contemporary arts conversation. She is signed with Seminal, a global branding agency, and is represented internationally by Art Partners HK and Soluna Fine Art.

Jasmine Mansbridge

Tania Mason

Artist

Tania Mason is a Sydney-based artist with a Fine Arts degree from the National Art School (NAS), where she began her studies in 1996. Her work has been exhibited widely across Australia and internationally, with representation from esteemed galleries including Australian Galleries, Art House, Olsen, and Liverpool Street Galleries. She was awarded the Calleen Art Award for Painting in 2016 and has completed major public art commissions for institutions such as The Arts Centre of Victoria and The Australian Ballet. Her practice has also been supported by the Australia Council for the Arts, which awarded her a New Work Grant in 2007. Tania has been an artist-in-residence at Bundanon, Hill End, The Gunnery, and NG Art Creative in France, where her passion for hosting art workshops was also nurtured. Mason’s solo exhibitions span regional and metropolitan galleries, most recently Surrounded by Time with a Canary in a Coal Mine at Gosford Regional Gallery (2025), with another solo show upcoming at Michael Reid Northern Beaches. She has been a finalist in numerous art prizes, including the Fisher’s Ghost, Geelong, Banyule, and Hazlehurst prizes, and has works held in public collections such as Cowra Regional Gallery and The Arts Centre of Victoria. Her commissions and illustrative projects, including works responding to The Firebird ballet and a storybook titled The Intelligent Sleeping Beauty, further reflect the narrative depth of her practice. Tania’s work has been featured in The Sydney Morning Herald, The Age, Vogue Australia, and Vogue Living, underscoring her presence in both critical and cultural conversations.

Tania Mason

Rod Moore

Artist

Rod Moore is an Australian painter working primarily in oils, known for capturing light, atmosphere, and the quiet poetry of everyday landscapes and figurative moments. Influenced by the great Impressionists and the Australian Heidelberg School, his work balances structure and spontaneity, seeking to evoke depth, mood, and a strong sense of place. Rod Moore is an accomplished painter and the innovative founder of the Learn To Paint Academy. His artistic endeavors are firmly planted within the romantic impressionist genre, where he skillfully blends emotion and atmosphere to capture the ethereal beauty of the natural world. With a palette that speaks in vivid tones and a brushwork that dances between the lines of realism and abstraction, Rod's paintings invite viewers into a serene, almost dreamlike, landscape. Raised in a family where art and culture were valued, Rod's early exposure to artistic expression did not immediately lead him down the path of a painter. It was only later in life, moved by the breath taking vistas of Australia's landscapes, that he felt a compelling call to express these sights in paint. This marked the beginning of a journey not just into art, but into the depths of personal and creative exploration. A pivotal moment in Rod's artistic career came when he was mentored by the world-renowned artist Robert Hagan. Spending ten days in Hagan's studio in Thailand, Rod was immersed in an intensive learning experience that shaped his approach to painting. Under Hagan’s guidance, Rod refined his technique and deepened his appreciation for the subtleties of color and light that define the romantic impressionist style. This mentorship enriched his art, infusing it with a new depth that resonates with art enthusiasts and collectors alike. Rod’s paintings often depict tranquil scenes—quiet coastlines, serene fields, and bustling market scenes painted in a way that emphasizes their underlying peace. These works are not just seen; they are experienced, evoking emotions and inviting contemplation. They reflect Rod's belief that art should transport the viewer, offering a refuge from the everyday and a gateway to inner tranquillity. In addition to his painting, Rod has taken his passion for art and teaching to found the Learn To Paint Academy. There, he translates his years of experience and learning into accessible courses that demystify the process of painting. The academy offers instruction in oils, acrylics, and gouache, catering to students from beginner to advanced levels. Rod’s teaching philosophy is simple yet profound: anyone can learn to paint, and everyone should have the opportunity to explore their creative potential. At the academy, Rod’s impact extends beyond just teaching techniques. He nurtures a community of artists, fostering an environment where creativity and personal growth can flourish. His instructional books and articles further this mission, offering insights into both the craft of painting and the broader implications of art on well-being and personal development. Rod Moore continues to inspire through both his own canvases and his teaching. With each brushstroke and class, he encourages others to see the world through an artist’s eyes, transforming not only how they view art but how they experience the world. Rod remains a guiding light for aspiring artists, empowering them to unlock their creativity and find their own voice in the vast world of art.

Rod Moore

Dugald Murray

Artist

Dugald Murray is a Melbourne-based oil painter whose abstract works explore personal introspection through a constrained alla prima approach. Influenced by a multicultural childhood across Iraq, Indonesia, Europe, and Australia, Dugald employs restricted palettes and brushes, eliminating interferences to focus purely on on-canvas exploration. His practice oscillates between thick impasto textures and flowing, thinned oil applications, creating works that capture the dialogue between internal states and external resilience. Through gestural mark-making and self-observation, Dugald invites viewers to connect with emotions woven into vibrant, textured surfaces. Dugald Murray is an oil painter whose works explore the intersection of the seen and the felt. Though his artistic journey began with landscape and portrait photography, Dugald has since transitioned to a more abstract expression, utilising heavily thinned oil paints and his own pigment blocks to deconstruct and reimagine the emotional core of those early subjects. Colour and texture play a pivotal role in Dugald’s work, while the use of mediums mandates immediate and permanent reflection of emotional connection between artist, pigment and surface. These elements serve as bridges, connecting the visual world captured in photography with the artist's personal response. The resulting paintings are not mere replications, but rather explorations of the essence of a place or person, translated through a lens of emotion and abstraction. Having come to painting later in life, Dugald brings a passion for artistic discovery. His work invites viewers to delve deeper, to connect with the emotions woven into the vibrant colours and textured surfaces, and to discover their own interpretations within the abstract. This focus on the emotional resonance translates into the artist's abstract style. By deconstructing the visual elements and focusing on colour and texture, Dugald seeks to capture the unseen forces, energies, and stories that lie beneath the surface.

Dugald Murray

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Eman Nasr

Artist

Eman Nasr is a visual contemporary artist based in South-West Sydney, NSW. Guided by intuition, she blends together memory and imagination. The result is far from black or white. It is like an open ended question in bold colours inviting one to escape and explore. Eman Nasr is from Egyptian roots, born in New Jersey, USA, and later moved to live in the United Arab Emirates with her family. Before finally residing in Australia with her husband and children. Eman travelled a lot around the world and therefore finds herself deeply inspired by the uniqueness of different cultures and landscapes as well as her own life journey. She graduated in 1993 with a Bachelor’s degree in Commerce. However, Eman developed her interest in art during her early childhood while watching her mother, who was a professional artist herself, create beautiful and diverse artworks. This inspired and encouraged Eman to explore her own creativity and artistic sense at a very early age. She followed and developed her passion for art which continues to grow and evolve. Her latest certification was an Advanced Diploma in Visual Arts from Tafe, Meadowbank in 2023, and she previously completed many short art courses throughout the years. She now owns and runs an art studio called Colorful Life Art Studio where she provides art lessons. Alongside her own art journey as an artist, she wishes to continue passing on what she has learnt about art while inspiring others to enhance their creativity, artistic skills, and pursue their passion.

Eman Nasr

Neto

Artist

Ernesto Tomas Vaquero is an artist whose practice emerges from a deeply intuitive process, embracing what he describes as "unconscious art." Ernesto Tomas Vaquero is an artist whose work gently invites introspection and reflection. His creative process often begins in a spontaneous, intuitive way, allowing his emotions, subconscious thoughts, and personal experiences to naturally take shape on the canvas. He refers to this process as "unconscious art," believing that the meaning of his work doesn't need to be immediately apparent. Instead, it unfolds over time, both for himself and for those who encounter it. In 2022, Vaquero marked a significant milestone in his career with his first solo exhibition at Sol Gallery in Fitzroy. That same year, he was awarded the WOT Collective artist residency at the Old Cheese Factory in Berwick. His work began to gain international attention, with participation in four group exhibitions. His art was also featured in the ART ANTHOLOGY V: MADRID EDITION in 2022, and he returned to Madrid in 2023 for the "Sun of the Kingdom" group show. His involvement in the New Ground commission program in 2023 supported by the Sidney Myer Fund provided a platform for him to explore the theme of "borders and boundaries." On a local level, Vaquero became a resident artist at Garage 35, a southeast Melbourne art studio. Here, he engaged in community workshops and mural projects, contributing meaningfully to the local art scene. In 2024, he and his group were honored with the Community Group of the Year Award at the Greater Dandenong Australia Day Awards, recognizing the impact of their work in the community. Vaquero's journey as an artist is one of quiet dedication, allowing his work to grow naturally and offering others the space to connect with it in their own time.

Neto

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Bridie O'Brien

Artist

Bridie O’Brien is an Australian landscape artist whose work blends abstract realism with contemporary impressionism. Bridie O’Brien is a visual artist and lifelong musician, raised on a working farm in country NSW, Australia. After graduating from the Australian Institute of Music in 1998, she pursued a music career that carried her across continents. She earned a Diploma in Entertainment Design (Illustration) in 2005 and was accepted into the National Art School the following year, though her path ultimately led elsewhere. For the next fifteen years she lived a life shaped by sound and travel, from busking on the streets of Scotland to living on a remote Caribbean island. In 2019 she toured nationally with Icehouse, The Church, Mental As Anything, and The Sunnyboys while playing lead guitar for Do Ri Mi. Her thirties brought a turning point during her work as an audio engineer at the Art Gallery of NSW, where overseeing lectures immersed her in the world of art once more. Walking those halls reignited a calling she could no longer ignore. Since 2020 she has devoted herself to painting the natural world in oil. Working with a palette knife and bold colour, she brings landscapes to life through a language of abstract realism and contemporary impressionism. Her practice is grounded in travel and time outdoors, bushwalking, snow camping, and observing the rhythms of light and land. Her work has been recognised as a finalist in major national prizes including the Paddington Art Prize, the Lethbridge Landscape Prize, and the National Capital Art Prize. She has exhibited nationally and internationally with shows in Madrid, Austria, and Milan, and her paintings have appeared in magazines and on album covers. Her creative development has been enriched by self-directed study at some of the world’s great institutions and cultural centres, including the Louvre in France (2019), New York’s gallery circuit (2022), Renaissance collections in Italy (2023), Portugal’s museums (2025), and extensive research travel across continental China and parts of Tibet (2025). Each experience has deepened her commitment to painting as a transformative force. Every painting she creates is a kind of poem, a dialogue with place, memory, and light. Her aim is to reveal the deep kinship between art and the natural world and the way both invite connection, empathy, and reflection. After twenty-seven years in Sydney, she has recently settled in Canberra where, surrounded by mountains and bushland, she feels at home and at peace. Finalist 2021 National Capital Art Prize 2022 Lethbridge Small-Scale Prize 2022 Paddington Art Prize 2023 Lethbridge Landscape Prize Salon des Refusés 2024 Lethbridge Landscape Prize Salon des Refusés Exhibitions 2021 Innsbruck Art Fair, Austria 2021 The Other Art Fair, Sydney (Dec) 2022 Milano Art Fair, Italy 2022 Van Gogh Art Gallery, Madrid 2022 The Other Art Fair, Sydney (July and Dec) 2022 Solo Exhibition Energy of Risk, Corner Gallery Stanmore 2022 Group Exhibition Interlude, Sheer Gallery 2022 Group Exhibition, Art Goupie, Darlinghurst Road Gallery 2023 The Other Art Fair, Sydney 2024 The Other Art Fair, Sydney and Melbourne 2024 The Affordable Art Fair, Sydney and Melbourne 2024 Solo Exhibition Miles To Go Before I Sleep, Aarwun Gallery Canberra 2025 Solo Exhibition Full Moon Sway, Gallery Alchemy Milton 2025 Affordable Art Fair, Melbourne and Sydney 2026 First Sentier, Tower 3, Barangaroo - solo exhibition

Bridie O'Brien

fleur optekamp

Artist

Fleur is a visual artist and designer, a creative free spirit enlightened by diverse cultures, intricate artworks, travels, patterns, forms, and the beauty of nature. Fleur is a visual artist and designer, a creative free spirit enlightened by diverse cultures, intricate artworks, travels, patterns, forms, and the beauty of nature. Her artworks consist primarily of handmade paper collages, which are sometimes digitized for a second life or an evolved piece. The materials she uses are typically sourced from books, magazines, physical nature, architectural finishes, web images, or decorative patterns and hand sketches created by Fleur. Her mission is to inspire people through her unique creations, whether it's a piece made in her studio during a moment of inspiration or a commissioned work. Based in Melbourne, with a background in visual arts and interior design, she has attained 20+ years of experience in both creative fields. Born in Guam, where her father was a hotel manager, she lived in various countries growing up, including Malaysia, Saudi Arabia, the U.A.E., Germany, and the United States. These experiences enriched her understanding of versatile designs and fine arts. She immersed herself in various cultural aesthetic influences, leading her to work on projects worldwide in cities like New York, Sydney, Bangkok, Singapore, Melbourne, Tokyo, Auckland, and more. Her passion for collage work/mixed media began in the early 90's. Her artworks have been displayed and permanently installed in private residences, luxury hotels, social events, and curated art spaces. During her free time, she finds creative sparks by exploring exotic destinations, spending time in art museums or galleries, nature walks, practicing yoga, and dancing to live music.

fleur optekamp

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Elle Pervez

Artist

Elle Pervez is a contemporary landscape artist and paints the Australian landscape, chasing the light as it changes over outback and country Australia. Elle Pervez is an Australian artist whose work is deeply informed by her upbringing between remote communities in the Northern Territory and a farm in rural New South Wales. Immersed from an early age in vast horizons and ever-shifting terrain, she developed a lasting connection to the Australian landscape, a connection that continues to shape and anchor her artistic practice. Working primarily with acrylic on canvas, Elle builds richly layered compositions. Her practice often incorporates mixed-media elements such as metallic gold leaf and oil stick, adding luminosity and depth to her textured surfaces. The interplay between abstraction and landscape is central to her work, allowing memory, emotion and place to merge on the canvas. Elle’s paintings seek to evoke a sense of connection; to land, to light, and to something both personal and collective. Through intuitive mark-making and expressive colour, she translates the feeling of wide skies, desert air and open space into immersive visual experiences. Her work invites viewers to pause, reflect, and find their own meaning within each piece. At its heart, her practice is about transformation and resonance, creating artworks that bring warmth, depth and vitality into the spaces they inhabit. In recent collections, her practice has expanded to explore the idea of metamorphosis, the in-between spaces of becoming, awakening and self-return. Her work is guided by intuition, often beginning without a fixed plan and unfolding organically, allowing emotion to lead composition. Elle has participated in many group shows and solo exhibitions across the country. Most recently Elle was a Finalist in Leda Gallery’s Emerging Art Prize 2025, Green, and Revival Art and Design Gallery’s Emerging Artist Prize 2026.

Elle Pervez

Wendy Peters

Artist

Wendy is a self taught artist, living on the Sunshine Coast, Queensland. Wendy's artistic expression is an embodiment of her profound passion for the natural world and her commitment to promoting positivity, well-being, and vitality. Whether she engages in a realistic style or delves into abstract pieces with abundant texture, Wendy's central objective remains consistent: to capture the enchanting beauty and magic of our world and introduce it into people's homes. Wendy Peters Bio Wendy is a self-taught artist, whose unconventional journey led her to discover her true calling. Her diverse experiences in the creative industries, ranging from owning a women's clothing business to restoring historic homes and practicing cosmetic tattooing, have collectively shaped her artistic path. In 2019. Through her art, Wendy aspires to evoke joy, wonder, and a profound sense of meaningfulness. Her creative exploration knows no bounds, as she constantly experiments with various mediums to encapsulate the organic forms, textures, and fragility of the natural world. Wendy's ultimate aspiration is that her art instils a sense of serenity and connection in all those who encounter it. Dream Home featured Artist – Channel 7 - 2024 Artist to Watch 2024 – Art Lovers Australia Finalist: The Lethbridge Gallery – 20000 Small Artworks Award – 2024 Finalist: The Toowoomba Gallery – The Next Big Thing Award – 2023 Finalist: The Lethbridge Gallery – 20000 Small Artworks Award - 2023 Featured Artist: Blooms and Birds Exhibition – Stevens Street Gallery – Yandina _ March 2023 Featured Artist: Affordable Art fair Melbourne 2023 – (with Stevens St Gallery) Finalist: Art Lovers Australia Award 2022. Finalist: Dogs During Covid – Sally Cuthbert Gallery - Sydney. Feature and Cover: “In Noosa” Magazine – Winter 2022. Feature Artist – Home Design Magazine Autumn 2024 Gallery representation: Jive Gallery, Noosa – 2021 Wendy's artwork is held in private and corporate collections in Australia and internationally.

Wendy Peters

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Alpana Rai

Artist

Alpana Rai is an Australian abstract landscape artist known for her vibrant color palette, expressive brushstrokes, and intuitive approach to painting. Inspired by the beauty of the Australian landscape and the rich cultural influences of her Indian heritage, she creates dynamic compositions that blend memory, emotion, and imagination. Her work invites viewers to explore familiar yet dreamlike landscapes, evoking a sense of connection and personal interpretation. Through her bold use of color and organic forms, Alpana transforms nature and experience into immersive visual narratives. Alpana Rai is an Australian abstract landscape artist whose bold and expressive works capture the essence of Australia’s natural beauty. Infused with dynamic energy and vibrant colors, her paintings are a fusion of places she has experienced and the unseen energies she senses. She describes her work as a visual translation—connecting the viewer and the artist through familiar yet dreamlike elements that evoke memories or spark new interpretations. Fascinated by the human ability to fantasize and the idea of a collective unconscious, Alpana creates abstract landscapes that are not meant to be fully understood but rather felt. Her compositions unfold organically, with spontaneous brushstrokes weaving together forms that blur the line between reality and imagination. Her signature use of bold color, particularly pinks and blues, reflects both the vibrancy of the Australian landscape and the rich cultural influences of her Indian heritage, shaped by the joyful celebrations of Diwali and Holi. Since 2019, Alpana has exhibited extensively across Melbourne and beyond, showcasing her work at major art fairs and exhibitions. She was the winner of the Art to Art Unearthed Art Prize (2024) and a Online finalist in the Lethbridge 20000 Small Scale Art Prize (2022, 2023). Her paintings have been featured in renowned events such as the Affordable Art Fair (Sydney, Melbourne, Brisbane) In 2021, Alpana deepened her artistic exploration with certifications in Modern Art & Ideas and Postwar Abstract Painting from the prestigious Museum of Modern Art (MoMA) in New York City. Her work is now held in private collections across Australia, New Zealand, Singapore, Malaysia, and Italy. Through her art, Alpana continues to explore the interplay between emotion, place, and imagination, inviting viewers to lose themselves in the landscapes of their own memories and dreams.

Alpana Rai

Anjana Rai

Artist

Anjana Rai is an Indian-born, Sydney-based visual artist whose profound connection with nature emanates from her vibrant, textured canvases. Renowned for her mastery of impasto techniques, she skillfully wields the palette knife to craft impressionistic portrayals of florals, landscapes, and seascapes. Embracing a fluid, unrestrained style, her work transcends traditional fine detail to capture the dynamic interplay between the natural world and her own internal reflections. Anjana's art not only celebrates the grandeur of nature but also encapsulates her unique cultural and creative perspective, making her a distinguished voice in contemporary impressionism. Anjana Rai, a visual artist born in India and based in Sydney, is a dedicated creator whose deep appreciation for the natural world shines through every stroke of her canvas. Opting for the palette knife over the traditional paintbrush, she applies thick layers of oil paint in an impasto technique, crafting impressionistic portrayals of flowers, landscapes, and seascapes. While she typically begins with a basic concept, her artworks primarily serve as a synthesis of external landscapes and her internal responses. Departing from the convention of intricate detail, Rai embraces a fluid, uninhibited style that grants her the freedom to experiment with colour, texture, curves, angles, and edges. Envisioning her pieces in three-dimensional space, she leverages this perspective along with her innovative artistic vision to create works that celebrate nature's splendour, interpreted through her unique cultural and creative lens. Since 2019, Rai's artworks have been featured in numerous art shows, galleries, and group exhibitions across Australia. Initially showcasing her work in Pune, India, and inner-city Sydney suburbs, she has expanded her reach to encompass wider audiences in Australia and worldwide since 2021.

Anjana Rai

Erin Reinboth

Artist

Erin Reinboth is an Australian contemporary artist and intuitive abstract painter based on Victoria’s Surf Coast. Drawing profound inspiration from the vibrant world of color, Erin’s work is a dynamic exploration of texture, mark-making, and bold palettes. Her paintings channel the beauty of her surroundings and personal experiences, brought to life through expressive layers and experimental line work that evoke both energy and emotion. Her art, realized as colorscapes or landscapes, captures the energy of movement, the interplay of textures, and the intrigue of unexpected color combinations. Each piece invites viewers to immerse themselves in a sensory journey filled with contemplation and emotion. Erin holds a Bachelor of Visual Arts (Painting major) from the University of South Australia and a Bachelor of Textile Design (Print major) from RMIT University in Melbourne. With over 17 years of artistic practice, she has exhibited widely in solo shows and art fairs, including Fitzroy’s Sol Gallery, iconic Greenhouse Interiors, and The Affordable Art Fair, among others, earning recognition for her instinctive and expressive style. Beyond her studio practice in Torquay, Erin’s background as a Studio Manager, Textile Designer, and Trend Forecaster in Melbourne’s fashion industry has enriched her artistic perspective. This experience has seamlessly merged with her art practice, leading to exclusive collaborations with iconic Australian retailer Adairs and global tech accessory brand The Dairy. Erin’s work is a celebration of color, texture, and the joy of artistic expression. Whether through her intuitive paintings or collaborations, she strives to add color and joy to the world, inviting others to experience the vibrant energy and emotional depth that her art conveys.

Erin Reinboth

Sahil Roy

Artist

Sahil Roy is a multi-disciplinary artist and muralist based in Melbourne, Australia. With nearly two decades of experience in graffiti art, Roy has evolved into one of Australia’s most renowned contemporary abstract talents, seamlessly blending his graffiti roots with a refined neo-abstract practice. Roy’s artistic vision is deeply influenced by the spontaneous compositions of the urban landscape—those fleeting moments where color, shape, texture, and form intersect. His work reflects a fascination with layers of time and decay, drawing inspiration from the ever-changing cityscape, where traces of the past and present emerge like fragments of a collage. Through his signature layering technique, Roy captures dynamic visual narratives, creating complex, introspective compositions that drift between abstraction and emotional expression. An accomplished studio artist and large-scale muralist, Roy has exhibited extensively both locally and internationally, with his works held in private collections worldwide. His artistic journey has also taken him to major international mural festivals across Southeast Asia, the USA, and Mongolia, where he continues to push the boundaries of his craft, transforming public spaces with his unique vision. Outside of the studio, Roy is an avid collector of experiences, drawing inspiration from his global travels to fuel his ongoing artistic exploration. His commitment to innovation and his passion for storytelling through art solidify his place at the forefront of contemporary neo-abstract art.

Sahil Roy

Amy Ruth

Artist

Amy Ruth (Grey) paintings are vibrant, bold, and eye-catching. She loves using bright colors that evoke feelings of joy and delight. Amy paints imaginative urban-themed environments, landscapes, gardens, wilderness, mountains, and character houses. The palettes of her paintings are consistently strikingly vivid, bringing energy and life to her harmonious compositions. Amy’s mission is to bring energy and joy to everyday spaces through her art. Amy Ruth (Grey) is an artist based in South-East Queensland, known for her vibrant, bold, and eye-catching paintings. Her work celebrates the beauty of nature and urban environments, blending imagination with vivid colors that evoke feelings of joy and delight. Amy was a finalist in the Revival Emerging Art Prize 2025 and winner of Pine Rivers Show Non-Traditional Art winner in 2024. Amy’s paintings often feature lush gardens, character-filled houses, and striking landscapes, all brought to life with her signature palette of harmonious yet striking hues. Drawing on her background in landscape architecture and urban design, she infuses her art with a passion for placemaking, creating pieces that offer an aspirational sense of place and a touch of utopia. Her distinctive style combines abstract stylization with intricate details, balancing simplified shapes and bold patterns. This fusion creates dynamic compositions that feel both playful and sophisticated, inviting viewers to explore and connect with the scenes she depicts. Inspired by the natural beauty of her home, Amy’s work offers a vibrant escape into a world of color and wonder. Her pieces have been exhibited in local galleries and recognized in art shows, reflecting her growing presence in the Australian art scene. With a background in landscape architecture and urban design, Amy’s passion for placemaking is a key influence on her art. She aims to create an aspirational “sense of place” and a utopic vision, often inspired by her home in South-East Queensland. Profile photo by Kylie Harber Photography

Amy Ruth

Sharon Rynehart

Artist

Sharon Rynehart is an impressionist palette knife artist based in Canberra recognised for her emotive, colour-rich captures of the sea land and sky. Her works seek to capture moments of reflection, light, and hope, resonating deeply with collectors worldwide, inspiring calm and connection through their uplifting sense of place and emotion. Sharon Rynehart is an impressionist palette knife artist recognised for her flowing, expressive style of the sea, land and sky. A former Interior Designer and Colour Consultant, Sharon had health issues that saw her turn to painting for therapy and healing. Transforming her creative practice into what she calls ‘heartwork’; emotive, hope-fuelled pieces inspired by faith, nature, and the beauty of our Australian coastlines and landscapes. She uses her background in colour theory to create beautiful colour harmonies, painting original artworks that allow you to reflect on your own story; to finish the train of thought, to remember a time or place, and to explore and feel the emotions they instil. Artworks that are relatable, that invite you to reflect, force an exhale, evoke a sense of calm…and bring you hope. Now widely collected both in Australia and Internationally, she’s enjoyed recent success as a Finalist in Art to Art’s acclaimed “Unearthed” Art Prize. She’s also been fortunate to have several of her artworks featured on Channel 9’s “The Block”, and her work featured in Grand Designs Australia Magazine. Sharon’s pieces continue to be sought after, a reminder to always look for light and hope…no matter the trials and challenges we all face.

Sharon Rynehart

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Derek Schneider

Artist

Graphic yet figurative, a visual narrative, keeping it relatable with a focus on capturing the times that live in our conscious. Ever since I could grasp my first crayon i have felt an urge to capture and create ideas and things that inspire. The process of ‘creating’ is one of constant learning, the result often a launching pad for the next inspiration. Graduating from Graphic Design at RMIT I count myself amongst the fortunate few to be able to spend my working life as an Art based Creative Director doing what I love. Alongside my professional working journey “painting” has often had to take a back seat, a quiet companion that only on occasion jumped into the front seat and took control. Over the last few years the ‘driver’ has taken the wheel more often, clocking up many more miles primarily painting in oils and at times acrylic. Looking back at the painters that really resonate and inspire I would have to say Fred Williams, John Olsen, Clarice Beckett and Euan Uglow first jump to mind, but really the list is long and varied and likely to be different if asked another day. Color, design and form tend to dominate in my work. I refer to myself as a figurative’ painter yet experiment with the idea of ‘loosening up’, a style that is forever evolving. I enjoy capturing “life” – people often depicted from a birds-eye perspective, offering a somewhat graphic interpretation of figures framed against largely monochromatic backdrops. I imagine the little pleasures filling their minds, each in their own “happy place”. These little sub stories amidst the shared experiences are painted to be re-lived at home whenever you wish. This shared connection with the many collectors to date brings great satisfaction and if that leads to many more trips to the beach and snow then I’ll only be too happy to accept the challenge. I have painted numerous commissions to brief, usually to include families or individuals and love how only the new owners know “that’s us” there in the wave or on the chairlift. You will see variation in the works, conscious to not become a slave to my own ‘style” and subject matter and will continue to driven to capture a mood, a message, an emotion.

Derek Schneider

Artist

Panchali Sheth is a Sydney-based Indian-Australian artist whose work blends the rich visual language of Indian miniatures with contemporary abstraction. She holds a Master of Art (MA) and a Master of Fine Art (MFA) from the College of Fine Arts, UNSW. Her practice has been shaped by international residencies, including programs in France (2021), New York at the School of Visual Arts (2023), and most recently a month-long residency in Rajasthan, India (2025). Drawing from cultural narratives, travel, and lived experience, Sheth creates vibrant figurative and abstract works that explore identity, mythology, and storytelling. Panchali Sheth is a Sydney-based Indian-Australian artist whose practice weaves the vibrancy of Indian miniature traditions with contemporary abstraction. Her works unfold through intuitive mark-making, layered narratives, and bold colour palettes, drawing deeply from mythology, culture, and lived experience. Sheth has held several solo exhibitions and participated in numerous group shows, many of which have sold out. Her work was most recently exhibited at Gallery Lane Cove. She has been a finalist in multiple awards, including an emerging art prize and the prestigious Kedumba Drawing Award, further affirming the strength and distinctiveness of her practice. Across her growing body of work, Sheth continues to explore the intersections of culture, identity, and contemporary storytelling, creating paintings that resonate with emotional depth and timeless energy.

Panchali Sheth

Amanda Skye

Artist

Australian artist Amanda Skye finds power in the flawed, the authentic, and the beautifully imperfect. From her Helensburgh studio, she channels this belief into vibrant, soulful creations. Each piece is a rich tapestry of colour and symbolic meaning, celebrating the raw essence of the natural world and inviting viewers to embrace the honest call to do what makes your heart sing and find peace within oneself. Australian artist Amanda Skye finds power in the flawed, the authentic, and the beautifully imperfect. Guided by a deep-seated intuition, she creates soulful works that have captivated audiences both locally and internationally. Her core belief is that art is a living entity, an honest reflection of personal growth and change—a true journey to the soul. Amanda’s artistic practice is remarkably diverse, flowing wherever her intuition leads. She is known for her unique mediumistic portraiture, where she connects with a subject's energy to capture their essence on canvas or any material that captivates her. This profound sensitivity extends to her abstract monumental landscapes that echo the earth's raw emotion, and to delicate depictions of native flora and fauna. Her creative visions also reach to sustainable textile design, demonstrating a holistic and versatile approach to her craft. This compelling work has garnered significant acclaim. For several years running, Amanda's art has been prominently featured on Australia’s hit television show, The Block, introducing her distinctive style to millions. Beyond the screen, her paintings are sought after by private collectors and have been acquired by international collections around the world, placing her firmly among Australia's most compelling contemporary artists. Based in her studio in Helensburgh, NSW, Amanda Skye continues to create work that is not only visually stunning but also profoundly soul-speaking, inviting us all to embrace our own evolving journeys.

Amanda Skye

Julia Softley

Artist

Julia Softley is a boundary-pushing Australian artist and educator whose signature style blends the delicate precision of watercolour pencil with bold, contemporary narratives. With a background in fashion design and over two decades of industry experience, Julia's work is a fusion of technical finesse and emotive storytelling. Her large scale pieces explore identity, memory, and material culture, often celebrating colour, nature, texture and textiles. A former fashion label director turned full-time creative, Julia brings a designer’s eye and an educator’s heart to every artwork. Her unique process celebrates slow, intentional mark-making—each layer a meditation on form and feeling. Collected by private buyers and admired in both educational and exhibition spaces, Julia’s art stands at the intersection of fashion, fine art, and innovation. Julia Softley, a educating artist based in Perth, captivates viewers with her self-taught techniques. Her work indulges the eye in beauty, color, and tone, showcasing a unique artistic perspective honed over years of diverse creative experiences. From a young age, Julia was immersed in a world of craft, textiles, and music, nurturing her innate creative talents. Through years of developing meticulous hand skills and an attentive eye for detail, she built a strong illustrative foundation. This early passion led her to pursue formal Fine Art studies which then led into the world of apparel. Currently Julia, further refines her artistic abilities, specialising in Watercolour pencil. Julia loves to study the pigments, colour theory and link colour with emotional triggers via her visuals.

Julia Softley

Nell Symonds

Artist

Nell Symonds is a West Australian Oil painter. She paints still life’s and landscapes in a representative style. Nell Symonds has spent much of her life immersed in the Australian landscape, since her upbringing in small WA townships and current residence in Mandurah, on Perth’s south coast. Her time in the bushland, sighting the distinct environmental elements and remarkable flora, has greatly influenced and informed her works, the style and execution of which was developed uniquely over a number of years. Initially taking art classes during her secondary schooling, Nell did not consider the visual arts a professional pursuit until her adulthood, when she adopted a primarily self-taught approach. Whilst travelling abroad in her 20s, she drew still life images and portraiture in a combination of charcoal and graphite, as a means to document her journeying. She eventually established an interest in the integration of oils and began learning the technical aspects of their usage and depicting her works in this alternate medium. Later finding herself struggling to produce artistically satisfying works, she took the advice of acclaimed West Australian artist Anya Brock, who encouraged her to paint subjects that resonate at the soul level. Quickly inspired to paint green pears on top of a darkened backdrop, this concept was the product of Nell consciously observing the fruits in a bowl lit by downlights, against the dark blue of her kitchen wall. As she discovered her attraction to the contrasting colour structure and evidentiary shapes and shadows of this seemingly simple subject, her signature still life series was born. In an effort to extend upon these concepts, she has progressed into the depiction of landscape imagery, successfully characterising the contrast of light and shade within a wider scope. Australian artists David Moore and Clifford How have been frequent influences over her works, due to what she perceives as their inherent ability to convey the expression and stillness of their subjects and scapes. Nell has been a finalist in a number of local and interstate art awards, including 2022’s National Emerging Art Prize and Lethbridge 20000. Additionally, she has participated at the Affordable Art Fair and in several group exhibitions within Victoria, New South Wales and Queensland.

Nell Symonds

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Parita Thakkar

Artist

Parita, a self-taught artist, always had an innate passion for art from a young age. However, growing up in an Indian family Parita was not allowed to pursue it, as “art cannot be a career”. It wasn’t until she became a mother at 32 that Parita finally decided to heed her artistic calling. Parita feels a deep sense of belonging and fulfilment in the creative world. Based in Perth, Parita’s passion lies in capturing the beauty of everyday objects through the lens of still life painting. With a keen eye for detail and a love for challenges, Parita constantly seeks to push artistic boundaries by exploring new subjects and techniques. Embracing imperfections as inherent elements of artistic expression, Parita finds beauty in the subtle nuances of wonky lines, brush strokes, and potent backgrounds. Through these imperfections, Parita believes that the true essence of a painting emerges, showcasing the handcrafted journey that transforms ordinary objects into remarkable works of art worthy of adorning any wall. Parita strives to evoke a sense of depth and emotion in each piece, playing with light and shadow to create captivating compositions that resonate with viewers. From vibrant fruits to delicate flowers, Parita’s artwork transcends the ordinary, inviting viewers to pause and appreciate the subtle beauty that surrounds them. Parita, a self-taught artist, always had an innate passion for art from a young age. However, growing up in an Indian family Parita was not allowed to pursue it, as “art cannot be a career”. It wasn’t until she became a mother at 32 that Parita finally decided to heed her artistic calling. Parita feels a deep sense of belonging and fulfilment in the creative world. Based in Perth, Parita’s passion lies in capturing the beauty of everyday objects through the lens of still life painting. With a keen eye for detail and a love for challenges, Parita constantly seeks to push artistic boundaries by exploring new subjects and techniques. Embracing imperfections as inherent elements of artistic expression, Parita finds beauty in the subtle nuances of wonky lines, brush strokes, and potent backgrounds. Through these imperfections, Parita believes that the true essence of a painting emerges, showcasing the handcrafted journey that transforms ordinary objects into remarkable works of art worthy of adorning any wall. Parita strives to evoke a sense of depth and emotion in each piece, playing with light and shadow to create captivating compositions that resonate with viewers. From vibrant fruits to delicate flowers, Parita’s artwork transcends the ordinary, inviting viewers to pause and appreciate the subtle beauty that surrounds them.

Parita Thakkar

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Kevser Ugurlu

Artist

Kevser Ugurlu began her artistic practice, where rooted in her upbringing in Turkey. From her early age, she was drawn to the world of art, exploring the fundamental principles through sketching human figures and experimenting with watercolour and various medium during her education. Although she initially pursued a different career path in Japan, where her skills in design, creating logos, posters, and illustrations for books, but eventually circled back to her true passion after a hiatus of many years , and she returned to her first love- painting and drawing in Australia. Today, she has been actively engaged in the art scene, and within a short time, the awards she has received and the projects she has taken part in reflect the strong revival of her painting life. The body of her works is created in a semi-abstract and distinctive style, using watercolour, gouache, and ink on paper. It explores playful colours, fluid forms, and diverse expressions. The compositions often feature rhythmic movement, layered textures, and intricate details, striking a delicate balance between the figurative and the abstract. These elements evoke a sense of both chaos and transcendence, reflecting the emotional depth and complexity within each story. Her recent work, themed Exodus – Crossing the Red Sea, reimagines an ancient narrative as a timeless metaphor through ancient Egyptian figures and motifs. She explores oppression, exile, and courage—echoes of the universal struggle to break free from systems that confine us, a continuing story of fear, hope, and resilience. ​Facilitator of various watercolour workshops in groups and private classes. ​ Kevser Ugurlu lived in three different cities—Ankara, Tokyo, Sydney—which gives her a rich background of experiences and perspectives that deeply shape her artistic voice. As a contemporary visual artist, she explores themes of migration, displacement, and searching for a homeland through watercolour and mixed media on paper.

Kevser Ugurlu

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Maureen Walsh Venville

Artist

Maureen Walsh Venville is an Intuitive abstract artist residing in Frankston Victoria Australia Maureen was born in Liverpool, England, and moved to Australia with her family in 1967. From an early age, she loved making art, often spending her time drawing and creating collages. Her passion for working with her hands led 9 to a career in the printing industry, art school, focusing on painting, sculpture, and art history, and later to a role in allied health as a Remedial Massage and Bowen therapist. A cancer survivor of ten years, Maureen faced multiple surgeries, chemotherapy, and radiation treatments. This experience gave her a deeper appreciation for life and a renewed commitment to doing what makes her happy. Now cancer-free, she spends her time in her small garden studio in Frankston, Victoria, embracing her love for painting. For the past decade, Maureen has studied Raja Yoga Meditation and positive thinking with the Brahma Kumaris. This spiritual practice, combined with her artistic pursuits, allows her to paint intuitively, drawing inspiration from her soul. Her work has been featured in numerous exhibitions across Victoria, including two successful solo shows at Frankston Art Centre and Sol Gallery in Melbourne. Maureen’s style is characterised by her obsession with colour and composition, creating vibrant, imaginative works that invite viewers to engage with her unique perspective. The act of creation itself is deeply fulfilling for her, as she embraces the journey of transforming a blank canvas into a visual expression of her inner world, reflecting her colourful, quirky, and lyrical universe.

Maureen Walsh Venville

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Sheila Whittam

Artist

Sheila Whittam is a South Australian , Adelaide Hills artist, originally from Britain. She has a long art career with solo exhibitions in SA and Victoria, awarded a BA Vis. Arts/ Hon. ACSA 2009 She designed an art course which contributed to community well - being 2013-19. She is confidently experimental in her approach to art making using mixed media with oils - monotypes, encaustic collages, oil sticks etc. She has been continuing to exhibit her new work in Adelaide recently in which these series , took her in directions which opened to her perception brought about by her own experiments in formal elements which moved her towards non- objective abstraction. My background includes a BA including an Honours year at Adelaide Central School of Art. ACSA. I have had 24 solo exhibitions in 40 Years. There has been a SALA Award , 3 arts residencies and am included in several artists finalist: including the Heysen Prize Art Awards and also the Landscape Prize at the Hahndorf Academy. www.sheilawhittam.com www.nala.art Sheila Whittam CV Sheilawhittam44@gmail.com https://www.sheilawhittam.com Artist Art motivator/tutor Art tutor and tour guide at The Cedars, Hahndorf Education. 2009 B.VA. Honors. Vis Arts. Adelaide Central School of Art. SA 2019 Mentorship. Professor Christopher Orchard. Residencies. 2015-2018 Art tutor in residence. Worldview College, St Leonards. Tasmania. Summer schools art tutor in residence. 2014 ARTS SA Grant. E Tweddell Central Studios. 6months residency. 2010 The Cedars. six months residency/solo exhibition followed. 2009 Carrick Hill. SA. ACSA research graduate. SALA exhibition. Finalist and art awards. 2023 National Contemporary Art Prize Finalist 2022 Kennedy Art Prize Finalist 2022 Hahndorf Academy Landscape Prize Finalist 2021 Contemporary Art Prize, Gallery M Finalist 2019 Hahndorf Academy Landscape Prize Finalist 2019. RSASA. SALA. in Portrait Prize Finalist 2017 Hahndorf Academy. Landscape Prize Finalist 2016 Gallery M. Marion. Finalist 2016 Sala Art Award. Unley Council Award 2016 RSASA. Portrait Prize Finalist 2013 RSASA Portrait Prize Finalist 2013 Sala Adelaide Review, article Finalist 2011. Heysen Prize. Hahndorf Academy Finalist 2009 Heysen Prize. Hahndorf Academy Finalist 2009 St Peter’s Cathedral. Adelaide Award 2008. St Peter’s Cathedral, Adelaide Award 1993 Dragan Miljanovic Prize. Adelaide Hills Award Solo Exhibitions: 2024 Hahndorf Academy. Hahndorf. Mindscapes 2023 The Main Gallery. Adelaide. Silencing the Chaos 2021 BMG.Gallery. Adelaide. 2019 Nepenthe Cellar Door. Balhannah. SALA. 2017. Hugh’s Gallery exhibition. Unley. SA. SALA Award. 2017 Royal SA Society of Arts. . Poetics of the Interior. 2014 Gallery M. Marion, SA. Hacienda. 2013. Hahndorf Academy. Dwelling Places. 2010 Hahndorf Academy. Portrait of a House. 2009 Carrick Hill. Springfield, SA. You’ve Got to be Dreaming. 2008 South Coast Regional Art Centre. Goolwa. Country Arts: touring. 2007 Royal South Australian Society of Arts Negotiating Doorways. 2004 Hahndorf Academy, , Hahndorf, SA. Narrare. 2002 Wiregrass Gallery, Eltham, Victoria. 2000. John Dunn Gallery, Bridgewater, Butcher, Baker and Candlestick 1995 Rainmoth Gallery, Waikerie, SA. Home and Away. 1994 Greenhill Gallery, Adelaide, SA. Fertile Fragments. 1992 British Council Gallery, Accra, West Africa. The Konkombas. 1986/87 Jolly Frog/Reade Art, Melbourne St, Adelaide. Called to love. 1978/82/83 Wiregrass Gallery, Eltham, Victoria. Called to love.

Sheila Whittam

Lee Wilde

Artist

Lee Wilde is a visual artist and poet based in Sydney, Australia. With a career spanning over two decades, she has sold more than 1300 original works to collectors worldwide, many of whom return time and again to acquire new pieces. Her studio is a place of relentless creativity, where emotion, experimentation, and artistic exploration converge. Lee Wilde is a self-representing Visual Artist and Poet, working from her studio in Sydney, Australia. Since 2003, she has shared her creative vision with the world, selling over 1400 original works to collectors across the globe—many of whom have become dedicated patrons of her art. Her studio serves as a sanctuary of expression, where she channels her passion for creating vibrant, emotive, and deeply personal paintings. Her work often explores the essence of women, celebrating their strength, beauty, and complexity through bold compositions and dynamic forms. She thrives on experimentation, constantly evolving her approach by playing with different techniques and mediums—whether through expressive brushwork, layered textures, or abstract interpretations. Each piece Lee creates is a reflection of her emotions, experiences, and the ever-shifting energy of existence. Her creative process is driven by an insatiable curiosity, an untethered mind, and a desire to capture raw feeling in visual form. Whether through color, movement, or poetry interwoven into her art, she seeks to craft pieces that resonate on a deeply human level.

Lee Wilde

Gemma Williams

Artist

Gemma Williams is an emerging Australian artist currently based in Sydney. Her vivid, gestural paintings explore nature and landscape as metaphors for memory and experience, and playfully shift between representation and abstraction, imagination and reality, and the familiar and the unknown. The colours found in nature serve as a means of communication and inspiration in Gemma’s paintings. Using scale manipulation, representational distortion and vibrant colour combinations, she captures the sensations and perception of place – dusk by the sea, ambient temperatures, time passing, and the many tones, moods and impressions of the landscape. Gemma has an interest in experimenting with colour and composition, having worked for more than two decades as an Art Director on the leading design, fashion and travel magazines Vogue Living, British Vogue and Condé Nast Traveler. Gemma has a Bachelor of Fine Arts from the National Art School and a Bachelor of Visual Communications from the University of Technology, Sydney Years of working in magazine design and alongside photographers has shaped her understanding of colour and composition and honed her aesthetic. Her ongoing interest in form and colour led to the decision to leave publishing to explore a more visceral mode of expression through painting. On completion of her degree in 2023 Gemma was awarded the Harvey Galleries National Art School Exhibition Prize and the National Art School BFA graduate, COSO Architecture Landscape Prize. Her work has been exhibited in group exhibitions at .Mcontemporary Darlinghurst, Harvey Gallery, Ditty Wheels and at the National Art School and Waverley Woollahra Art School in Sydney and is held in private collections across Australia.

Gemma Williams

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Gary Yeomans

Artist

Gary Yeomans is a contemporary Australian artist working primarily in acrylics, blending classical techniques with modern impressionistic sensibilities. His work explores the natural world and human experience, often evoking themes of beauty, movement, and reflection. Influenced by mentors such as Rod Moore, Robert Hagen, Ian Roberts, and Mark Waller, Gary’s practice is grounded in strong compositional structure, expressive brushwork, and a refined understanding of light and texture. His paintings have been exhibited in Australia and internationally. Gary Yeomans is a contemporary artist whose work combines classical techniques with modern sensibilities. Passionate about capturing the essence of the natural world and the human experience, Gary’s artistic practice spans acrylic painting, drawing, and design, drawing inspiration from a broad range of influences. Gary has had the privilege of studying with renowned mentors, including Rod Moore, Robert Hagen, Ian Roberts, and Mark Waller. Through their guidance, he has developed a distinctive artistic voice that blends traditional craftsmanship with a deep understanding of light, form, and composition. Rod Moore’s mentorship instilled in Gary a strong foundation in the fundamentals of good painting—colour, value, chroma, and composition—while also fostering an appreciation for the subtleties of texture and brushwork. Ian Roberts, a master of composition and painting design, further shaped Gary’s technical approach, instilling the importance of structure and balance in every piece. Robert Hagen, a master figure painter, inspired Gary to pursue a deeper understanding of anatomy and the human form, which continues to influence his work. Mark Waller’s expertise in contemporary art, particularly his exploration of acrylic painting, has profoundly influenced Gary’s approach, with a particular focus on light, water, and the dynamic qualities of the medium. Mark's mastery of Atelier Interactive Acrylics has equipped Gary with a sophisticated understanding of texture, transparency, and layering, which are integral to his style. Gary’s work has been showcased in various exhibitions, including the Currububula Art Show, Random Rural Gallery in Willow Tree, Thappraya Art Zone in Pattaya, Thailand, and online through BlueThumb Gallery, Etsy, and eBay collections. His paintings are known for evoking a strong emotional response, engaging viewers in a dialogue about beauty, peace, and movement. Working primarily in an impressionistic style, Gary strikes a balance between providing enough visual detail for the viewer to read and interpret the image, while leaving space for personal reflection and story. With a commitment to ongoing learning and artistic growth, Gary continues to push the boundaries of his medium, while remaining deeply connected to the timeless traditions of art-making.

Gary Yeomans

Aliki Yiorkas

Artist

Aliki is a multi-disciplinary artist whose work is autoethnographic in nature; it involves a study of cultural and political history on a personal level. Her paintings began during the 2021 pandemic lockdown, where in the absence of people, domestic objects became the focus. She became intrigued with how people engage with the materiality of objects and how much they affect us. This melancholic, meditative time was an opportunity for close study, and to see the beauty and sentience of objects. More recently, Aliki’s work has focused on works on paper. Paper, like skin, can be fragile but also incredibly robust and resilient, it is also intimate and the perfect material to affirm traces of life. Aliki Yiorkas is a Sydney based artist who has completed a Bachelor of Fine Arts at the National Art School (2020), majoring in Printmaking. She also holds a Diploma of Visual Arts and an Architectural Drafting Certificate. Aliki’s work crosses over the disciplines of drawing, printmaking, painting and collage. Aliki’s work is concerned with personal experience, striving to record an emotional response to direct experiences in her world. The earthy, monochrome palette and expressive mark-making inhabit intuitive atmospheres in her figurative works. Her conceptual works explore themes of intergenerational trauma and post-memory and how memories are passed on and shaped by other people’s memories. Aliki’s work has been selected as finalists in many prizes and has exhibited in the Northern Beaches Library Artist’s Book Award, Waverley Woollahra 9x5 Landscape Prize, Mosman Art Prize, Gosford Art Prize, The Doyles Award, Lethbridge Small Scale Art Award, Libris Awards, Whitewall Art Projects, Hunters Hill Art Award, Peebles Print Prize, Blacktown Art Prize, and Ravenswood Australian Women’s Art Prize.

Aliki Yiorkas

Z
Jan-Eloff  Von Ziegler

Artist

Jan-Eloff von Ziegler is a Brisbane-based contemporary artist whose work explores emotional landscapes through abstract expressionism, minimalist figurative line work, and original poetry created in direct dialogue with each painting. Jan-Eloff von Ziegler is a Brisbane-based contemporary artist whose practice centres on abstract expressionism and minimalist figurative line work. His work explores emotional tension, inner landscapes, and the quiet psychological states that exist beneath outward composure. Through layered gesture, restrained mark-making, and deliberate use of colour and negative space, von Ziegler creates works that prioritise atmosphere over narrative. His paintings often occupy a space between abstraction and figuration, allowing forms to emerge subtly rather than assert themselves, inviting prolonged viewing and emotional reflection. A distinctive aspect of his practice is the integration of original poetry alongside each completed artwork. Every painting is accompanied by a poem written in direct response to the finished piece, extending the emotional language of the work beyond the visual. These poems do not function as explanations, but as parallel expressions — offering an additional, intimate entry point into the psychological terrain of the painting. Von Ziegler’s work is deeply informed by themes of longing, grief, desire, recovery, and personal transformation. Rather than depicting literal scenes or stories, his paintings act as emotional vessels, reflecting states of unrest, stillness before change, and moments of internal pressure and release. His practice is grounded in authenticity and vulnerability, with a focus on creating work that resonates quietly but persistently. Working primarily in oil and mixed media on canvas, von Ziegler continues to develop a cohesive body of work that balances intensity with restraint. His paintings appeal to collectors and viewers drawn to emotionally charged, contemporary works that reward contemplation and connection. He lives and works in Brisbane, Australia.

Jan-Eloff Von Ziegler